| Fotos (Alle 7 | Diashow) |
| Sean Connery | ... | John "Duke" Anderson | |
| Dyan Cannon | ... | Ingrid | |
| Martin Balsam | ... | Tommy Haskins | |
| Ralph Meeker | ... | Captain Delaney | |
| Alan King | ... | Pat Angelo | |
| Christopher Walken | ... | The Kid | |
| Val Avery | ... | Socks Parelli | |
| Dick Anthony Williams | ... | Spencer (as Dick Williams) | |
| Garrett Morris | ... | Everson | |
| Stan Gottlieb | ... | Pop | |
| Paul Benjamin | ... | Jimmy | |
| Anthony Holland | ... | Psychologist | |
| Richard B. Shull | ... | Werner Gottlieb | |
| Conrad Bain | ... | Dr. Rubicoff | |
| Margaret Hamilton | ... | Miss Kaler | |
| Judith Lowry | ... | Mrs. Hathaway | |
| Max Showalter | ... | Bingham | |
| Janet Ward | ... | Mrs. Bingham | |
| Scott Jacoby | ... | Jerry Bingham | |
| Norman Rose | ... | Longene | |
| Meg Myles | ... | Mrs. Longene | |
| John Call | ... | O'Leary | |
| Raoul Kraushaar | ... | D'Medico (as Ralph Stanley) | |
| John Braden | ... | Vanessi | |
| Paula Trueman | ... | Nurse | |
| Michael B. Miller | ... | First Agent (as Michael Miller) | |
| Michael Prince | ... | Johnson | |
| Frank Macetta | ... | Papa Angelo | |
| Jack Doroshow | ... | Eric | |
| Michael Clary | ... | Eric's Friend | |
| Hildy Brooks | ... | Receptionist | |
| Robert Dagny | ... | Doctor | |
| Bradford English | ... | T.V. Watcher | |
| Reid Cruickshanks | ... | Judge (as Reid Cruckshanks) | |
| Tom Signorelli | ... | Sync Man | |
| Carmine Caridi | ... | Detective A | |
| Michael Fairman | ... | Sergeant Claire | |
| George Patelis | ... | Detective B | |
| William J. Daprato | ... | Detective C (as William Daprato) | |
| Sam Coppola | ... | Private Detective | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Bruce Brown | ... | Policeman (uncredited) | |
| Al Kirk | ... | Thief (uncredited) | |
| Helen Martin | ... | (uncredited) | |
Regie | |||
| Sidney Lumet | |||
Buch | ||
| Lawrence Sanders | (novel "The Anderson Tapes") | |
| Frank Pierson | (screenplay) (as Frank R. Pierson) | |
Produktion | |||
| George Justin | .... | associate producer | |
| Robert Weitman | .... | producer (as Robert M. Weitman) | |
Originalmusik | |||
| Quincy Jones | |||
Kamera | |||
| Arthur J. Ornitz | (director of photography) | ||
Schnitt | |||
| Joanne Burke | |||
Casting | |||
| Marion Dougherty | |||
Szenenbild | |||
| Ben Kasazkow | |||
Bauten/Dekorationsbau (art directors) | |||
| Philip Rosenberg | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Alan Hicks | |||
Maske/Frisuren | |||
| Betty DeStefano | .... | hair stylist (as Betty Destefano) | |
| Ian Forest | .... | hair stylist (as Ian Forrest) | |
| Saul Meth | .... | makeup artist | |
Regieassistenten | |||
| Alan Hopkins | .... | assistant director | |
Ton Stab | |||
| Jack Fitzstephens | .... | sound editor | |
| Al Gramaglia | .... | sound mixer | |
| Dennis Maitland | .... | production sound | |
| James Perdue | .... | sound (uncredited) | |
Kamera und Elektrik (Stab) | |||
| Charles Kolb | .... | grip | |
| Willie Meyerhoff | .... | gaffer (as William Meyerhoff) | |
| Albert Taffet | .... | camera operator (uncredited) | |
| Felix Trimboli | .... | assistant camera (uncredited) | |
Casting (Stab) | |||
| Marion Dougherty | .... | casting | |
| Vic Ramos | .... | extras casting | |
Kostüm und Garderobe (Stab) | |||
| Gene Coffin | .... | costumes | |
Schnitt (Stab) | |||
| Peter Genung | .... | assistant editor | |
| Janet Lauretano | .... | assistant editor | |
Musik (Stab) | |||
| Quincy Jones | .... | conductor | |
Restlicher Stab | |||
| Roger G. Battie | .... | technical advisor | |
| Harve Brosten | .... | assistant to producer | |
| Nicholas Sgarro | .... | script supervisor (as Nick Sgarro) | |
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| The Score | Out of Sight | Ocean's Eleven | Dark Water | Blue Streak |
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IMDb Nutzer-Bewertung:
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IMDb Nutzer-Bewertung:
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IMDb Nutzer-Bewertung:
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IMDb Nutzer-Bewertung:
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| Nachrichtenartikel | IMDb Krimi section | IMDb USA section |
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Beautifully made caper film by one of the best in his prime, Sydney Lumet. The pacing and balance may be the true art of the film. Premise is a bit far fetched: recently released con (Sean Connery) plans extravagant heist of entire Manhattan apartment building using mob financing. The hitch is that most everywhere he goes during his planning, electronic surveillance follows from varied and sundry sources.
A young Chris Walken heads a superb support group including Dyan Cannon. Martin Balsam is absolutely spectacular as the femme antique dealer.
Slightly dated, but never tired, the story progresses like a time bomb countdown.
Often imitated, rarely duplicated.