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IMDb > Move (1970)

Übersicht

Nutzer-Bewertung:
5.6/10   43 Bewertungen
Regisseur:
Stuart Rosenberg
Drehbuchautoren:
Stan Hart (writer)
Joel Lieber (novel)
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Premierendatum:
19. Februar 1971 (Sweden) mehr
Genre:
Komödie mehr
Werbezeile:
Move has got a lot to give... it's kinky.
Plot:
A young playwright who writes porno novels to overcome a writer's block, lives the fantasies of one of his books... mehr | add synopsis
Nutzerkommentare:
One of the best for Elliot and Paula mehr

Besetzung

 (Hauptdarsteller)

Elliott Gould ... Hiram Jaffe
Paula Prentiss ... Dolly Jaffe
Geneviève Waïte ... The Girl
John Larch ... Policeman
Joe Silver ... Oscar
Graham Jarvis ... Dr. Picker
Ron O'Neal ... Peter
Garrie Bean ... Andrea
David Burns ... Caretaker
Richard Bull ... Keet
Mae Questel ... Mrs. Katz
Aly Wassil ... Gupta
John Wheeler ... Brown Package
Rudy Bond ... Detective Sawyer
Yvonne D'Angers ... Jeanine
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Weitere Details

Länge:
90 Min
Land:
USA
Sprache:
Englisch
Farbe:
Farbe
Seitenverhältnis:
2.35 : 1 mehr
Tonverfahren:
Mono (Westrex Recording System)
Altersfreigabe:
Sweden:11 | USA:R
MOVIEmeter: ?
No change since last week why?

Unterhaltsames

Dies und das:
The movie's poster carried the tagline, "It's Pure Gould" underneath a drawing of naked Elliott Gould trapped in a Coca-Cola bottle, his hands crossed over his genitals, with the title "move" and the subheading "has a lot to give" in lower case letters at the right hand top of the poster, near the neck of the bottle. mehr

Häufig gestellte Fragen (FAQ)

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4 out of 4 people found the following comment useful:-
One of the best for Elliot and Paula, 12 December 2006
8/10
Author: quinlanhank von United States

Move is a treat. At the time of its release Elliot Gould was just reaching a his first cycle of over exposure and most people missed this movie completely. It is in the same tradition of self conscious movies as "You're a Big Boy Now" and others that came out during the late 60s. The difference is this movie is intelligently written and directed and it gets better as it progresses as opposed to falling apart and resorting to slapstick like most zany movies do at the three quarters mark. Gould perfectly captures the o.c.d. craziness of his character and Paula Prentiss as usual is terrific. The only flaw in this film is I would have loved to see at least one more scene with her. All the supporting characters are scarily great. I do not want to give the whole story away. See it!

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