A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
George Lazenby steps into the role of James Bond and is sent on his first mission. For help with Draco, he must becomes very close friends with her daughter, Tracy, and heads off to hunt down Ernst Stavro Blofeld one more time. This takes him to Switzerland, where he must pose as Sir Hilary Bray to find out the secret plan of Blofeld. The facility is covered with Blofeld's guards and well as his hench-woman, Irma Bunt. What has Blofeld got in mind this time? Bond keep up this act for much longer? and are ALL Bond girls safe? Written by
This is one of the most faithful adaptations of an Ian Fleming novel; virtually everything in the book occurs in the film. Staying so close to the source actually caused some continuity problems due to the different order of the films. For example, in this film Bond and Blofeld seem to be meeting for the first time, despite having met face-to-face in the film version of You Only Live Twice (1967). Some details are different: Count Bleauville is changed to Count Bleauchamp, and Ruby Windsor becomes Ruby Barrett. The situations of Bond's taking a leave of absence, and his discovery by Blofeld, are different. Tracy is not kidnapped. Blofeld is completely different in appearance from Telly Savalas, being described as having long silvery-white hair, an aquiline nose, a wrinkled forehead, a slender body, a nostril that has been eaten away by tertiary syphilis, and no earlobes. Savalas's Blofeld has none of these features - he doesn't even have a European accent. However, his earlobes were clipped back to serve a plot element. See more »
During the fight between Bond and the villain in the sea water, their positions (either standing or lying down) frequently change between shots. See more »
I've been saying for years, sir, that our special equipment is obsolete. And now, computer analysis reveals an entirely new approach: miniaturization. For instance, radioactive lint. When placed in an opponent's pockets, the anti-personnel and location fix seems fairly obvious.
What we want is a location fix on 007.
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During the opening credits, images are shown of Bond girls and villains. (This is the first Bond movie since Goldfinger to feature previous movies' footage in its credits.) Specifics are as follows. *First Set. *Honey Ryder from Dr. No (1962), standing on the beach. *Dr. No from the same, in front of his underground aquarium. *Tatiana Romanova from From Russia with Love (1963), messing around with her hair. *Pussy Galore from Goldfinger (1964), in the barn scene. *Second Set. *The title character from Goldfinger. *Assorted Bond girls from the Goldfinger (1964) / Thunderball (1965) era. *The "Flaming Car Crash" scene from Thunderball (1965). *Third set. *Emilio Largo, the main villain from Thunderball. *Aki, Kissy Suzuki, and a swordsman from You Only Live Twice (1967). *Blofeld's volcano lair exploding from the end of the same. Note the strategic absence of Blofeld from You Only Live Twice, as Blofeld is played by a different actor in this film. See more »
Yeah, I think so. Like most people who are interested in James Bond, I saw the films over and over on TV before I read any of the books. I then got round to buying Casino Royale, and being knocked out by it - this was somewhat different to Moonraker and all that Roger Moore stuff. So I read the books in their sequence, seriously the best way, and by the time OHMSS came round, I had a pretty good idea of who James Bond was. And, I'm sorry to inform all the Seanophiles, James Bond is not Connery, Moore, Dalton (though he came close, but is Welsh..)or Brosnan. Oddly enough, given the choices, he's kind of like George Lazenby.
Sure, Sean Connery was suave, sexy, and spoke rather curiously, Timothy Dalton had the serious side sorted, Brosnan is sophisticated etc, Roger Moore.. well, another time, maybe.
George Lazenby, maybe due to his lack of experience, (though why is his debut so widely mulled over in that respect.... it's not something that most actors are subjected to?) is not so at ease with his surroundings, not so cocksure that everything is going to work out fine as the others, and this is the real James Bond. The one in the books. You can almost believe in this one. And when things don't work out fine, you feel a weird familiarity with him. He's just a man, though admittedly he's disproportionately talented at a pretty impressive range of activities, from skiing to flying, swordsmanship, shooting people, jumping out of things, carnal endeavours etc.. Oh no, sorry, that's me. Well, anyway, I'm quite tired now. OHMSS is the best of the films, though From Russia With Love contains possibly the finest fight scene of all and maybe the best trio of baddies (including a slightly peripatetic Blofeld)and is Connery's best.
George Lazenby is the best Bond, because his talents - a certain naturalistic charm, physical dexterity, and a capacity for possible failure
are used brilliantly, and he is closer by far than any of the others to
There you go.
Oh, and Diana Rigg is the best 'Bond girl', though that description is not very fair to her, We Have All The Time In The World is the best Bond song, and the theme tune is possibly John Barry's finest work.. let alone being the best Bond title theme.
There you go again.
Thanks for reading, and if you happen to disagree, well... you're wrong. Cheers.
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