5.8/10
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7 user

The Guru (1969)

Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar (musical instrument) from renowned maestro Ustad Zafar Khan. Tom is taken to Zafar's ... See full summary »

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(story written for the screen by) (as R. Prawer Jhabvala), (story written for the screen by)
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Cast

Cast overview, first billed only:
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...
...
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Begum Sahiba
...
...
Ghazala
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Mastani (as Zohra Segal)
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Murad
...
The Guru's Guru
...
Courtesan
Leela Naidu ...
Girl at the Party
Usha Katrah ...
Lady Reporter
Fred Ohringer ...
Howard
Nargis Cowalsji ...
Society Hostess
Marcus Murch ...
Snide Guest
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Storyline

Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar (musical instrument) from renowned maestro Ustad Zafar Khan. Tom is taken to Zafar's home, where he gets to meet his wife and several daughters, and the maestro himself. Zafar never has had a disciple as Tom, and is clearly disappointed with his lack of respect. Nevertheless, he asks him to travel to Banares with him. Also accompanying them is a young Caucasian woman named Jenny, who Zafar has taken a liking to, much to his wife's displeasure, and who is more respectful of him than Tom. In Banaras, they get to meet Zafar's aging Guru, and his mistress, Ghazala, who is expecting a child soon. Zafar hopes that it will be a son. Zafar's Guru is quite disappointed with him for having Tom and Jenny as his disciples. An over-awed and overwrought Jenny decides to take it easy - and it is then she witnesses the murder of a courtesan. Watch as events unfold in this peaceful town of Banaras ... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Plot Keywords:

independent film | See All (1) »

Genres:

Comedy

Certificate:

G
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Details

Country:

|

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Release Date:

10 February 1969 (USA)  »

Also Known As:

A Magia do Guru  »

Filming Locations:

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Company Credits

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(Westrex Recording System)

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Did You Know?

Trivia

One of eight productions that Indian actor Saeed Jaffrey made with Merchant Ivory Productions. The films include The Guru (1969), The Delhi Way (1964), Heat and Dust (1983), The Deceivers (1988), The Sword and the Flute (1959), The Courtesans of Bombay (1983), The Creation of Woman (1961), and Hullabaloo Over Georgie and Bonnie's Pictures (1978). See more »

Connections

Referenced in The Darjeeling Limited (2007) See more »

Soundtracks

Where did you come from?
Music by Mark London
Lyrics by Don Black
Performed by The Buckinghams (uncredited)
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User Reviews

 
Early, meandering Merchant-Ivory
11 February 2006 | by See all my reviews

Utpal Dutt is very good as a master sitar player in India who doesn't seem to get much respect or adoration from his own people, but soon finds himself saddled with two British students: a wide-eyed, worshipful young girl interested in musical and spiritual enlightenment, and a carefree pop superstar who doesn't care if he gets enlightened or not. Lots of incredible sitar playing (notice how many different pronunciations of 'sitar' there are!) and mod '60's fashions, but a meandering story that makes all its points within the first half-hour. Dutt is both compelled and repulsed by the pop star's decadent world, and their like-hate relationship becomes a spiritual tug of wills. Michael York, sporting a thick crop of cinnamon-colored hair and talking with a Limey accent, plays the visiting celebrity with a snide kind of casual indifference, which is perfectly right for the character, but it does nothing for the audience and he elicits little interest; Rita Tushingham (reunited with York from 1967's "Smashing Time") overworks her perky nature and large, round eyes, yet her character hasn't been given many dimensions beyond what we are made to quickly sense (that her aimlessness led her to India and what she really needs is a man in her bed). As directed by James Ivory and produced by Ismail Merchant--who would become long-time partners and filmmakers--"The Guru" isn't bad; the locations are great and there are intermittent bits of satire that are certainly fashionable (for 1969, especially), yet ultimately there is too much ambiance and not enough plot. ** from ****


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