Romeo and Juliet (1968/I)

Regisseur:

Franco Zeffirelli

Drehbuchautoren:

William Shakespeare (play)
Franco Brusati (screenplay) ...

Premierendatum:

8. Oktober 1968 (USA)

Genre:

Drama | Romanze

Werbezeile:

The 1968 Royal Film Performance [UK Theatrical]

Plot:

When the now famous "star crossed lovers" of two enemy families meet, forbidden love ensues.

Plot Keywords:

Loss Of Virginity | Male Nudity | Female Nudity | Obsessive Love | Young Man

Filmpreise:

Won 2 Oscars. Another 13 wins & 13 nominations

Nutzerkommentare:

A scandal that the Academy did not give this best film

Besetzung

Leonard Whiting	...	Romeo
Olivia Hussey	...	Juliet
John McEnery	...	Mercutio
Milo O'Shea	...	Friar Laurence
Pat Heywood	...	The Nurse
Robert Stephens	...	The Prince
Michael York	...	Tybalt
Bruce Robinson	...	Benvolio
Paul Hardwick	...	Lord Capulet
Natasha Parry	...	Lady Capulet
Antonio Pierfederici	...	Lord Montague
Esmeralda Ruspoli	...	Lady Montague
Roberto Bisacco	...	Paris
Roy Holder	...	Peter
Keith Skinner	...	Balthazar

Alternativ:

Romeo e Giulietta (Italy)
Romeo & Julia (Bundesrepublik Deutschland) [de]
Romeo und Julia (Bundesrepublik Deutschland) [de]

Länge:

138 Min

Produktionsland:

UK | Italy

Sprache:

Englisch

Farbe:

Farbe (Technicolor)

Seitenverhältnis:

1.66 : 1

Tonverfahren:

Mono

Altersfreigabe:

Canada:PG (Manitoba/Ontario) | UK:A (original rating) | USA:G (original rating) (Approved No. 21756) | Canada:A (Nova Scotia) | South Korea:12 | UK:PG (video rating) (1987) | Australia:PG | Finland:K-12 | Sweden:11 | West Germany:12 | USA:PG (edited for re-rating) (1973) | Argentina:Atp

Drehorte:

Artena, Rome, Lazio, Italy

Firma:

BHE Films

Dies und das:

During the sword fight scene when Mercutio throws a sword at Tybalt's feet, Mercutio's shadow is actually Franco Zeffirelli's shadow standing in for him because John McEnery was sick that day (according to Michael York's autobiography).

Pannen:

Filmfehler: During the close-up of Juliet in the scene where the Capulets find Juliet "dead" in her bedchamber, she is visibly breathing.

Dialogzitate:

Romeo: But soft; what light through yonder window breaks? It is my lady! O, it is my love. O that she knew she were.

Bezüge zu anderen Titeln:

Verweis/Anspielung/Erwähnung in "Mystery Science Theater 3000: Quest of the Delta Knights (#10.13)" (1998)

Soundtrack:

What Is a Youth

A scandal that the Academy did not give this best film

I saw Romeo and Juliet at the Odeon Leicester Square, the day after the Royal Premier and from that day I was hooked on this film. I went back three times with different sets of friends just to watch it again and each time I enjoyed it more. Now owning it on DVD when I want to just feel good about films I watch it!

So much has already been written about the youth of the two young unknown stars and the chemistry that they had on screen that I don't need to repeat it now. However the key to this film's great success was that it was visually stunning, Zefferelli is the master of using colour, setting and costume to great effect. He was so clever in his casting, not just with the very handsome young Leonard Whiting who at the time when I was only 18 myself I thought was gorgeous but also the innocence of an immature Hussey was perfect. A master stroke was Milo O'Shea as Friar Lawrence, never ever has there been a better role for this talented by rarely seen Irish actor.

It's pointless complaining that the text is cut, by leaving out Romeo killing Paris and also the apothecary selling Romeo the poison in no way detracts from the overall imagery and beauty of Shakespeare's text. To have made the film using the whole text would have been too difficult and perhaps Zefferelli did want to portray Romeo as a little nicer than he actually was. In truth he was a fickle young man as all teenage boys can be and also prone to an amount of passionate violence so prevalent in adolescence. But this was Italy in Tudor times when life was cheap and the willingness to reach for the sword was as it should be.Shakespeare understood human nature better than anyone and that's why all his plays show so much insight into the human spirit.

Zefferelli balanced the film perfectly, nothing was overdone. He combined the tragedy with the humour as well as the love story by casting the right actor for each role and even if some of them faded into oblivium later, for this film they were all perfect. I never want to see another version. Baz Luhrmann's pales in comparison and thats not a bad film.

Come the Oscars I waited with baited breath having convinced myself that it would get best film - I was so disappointed!. It did collect Best Costume and I think Best Cinematography, but what a travesty, especially when the film that did win that year was not even in the same league and is hardly ever remembered. It's always very difficult to succeed with Shakespeare on the big screen but this version of Romeo and Juliet had it all. Only Kenneth Brannagh's mammoth production of the uncut version of Hamlet comes anywhere near this wonderful film.

How Nino Roto's soundtrack also missed out on an Oscar I will never understand. Footnote: Luciano Pavarotti has recorded the main love theme and it's called Ai giochi addio - it is so beautiful it will make you cry as you remember the film.