The performer of Twin Peaks theme Julee Cruise's experimental concert film, which opens with a short intro where a man breaks up with his girl over the phone, which devastates her. The concert is set in her nightmarish subconscious mind.
In 1988, the Figaro magazine asked to a few famous directors a series of short movies, to celebrate the 10 years of the revue. The thematic : The French seen by - The movies have been released for the French revolution bicentenary.
Harry Dean Stanton,
A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that seems to come from nowhere. The security guards that search ... See full summary »
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Against a backdrop of bizarre shapes and textures, a small organic figure gives birth to the letters of the alphabet while a mixture of children's voices and an operatic tune are singing out. The figure's head collapses causing blood to rain on a girl while she lays in her bed, resulting in the girl violently vomiting blood herself. Written by
This was set off the basic thematic elements of Lynch's oeuvre. Psychosubconscious horror imagery involving blood, sex, and rich textures of malaise. What's different about this is that it actually goes further, into a child's realm of disturbing imagery, which can be even more disturbing because thinking of Lynch dealing with children is kind of appalling--The Straight Story aside.
I think it's probably my favorite short of his, though, considering that it so well mixes everything in animation, stop motion, and real motion, and that overall it's quite adept at forcing you to think about all those children's shows that involve alphabet songs and alphabet animations dancing around, and how a lot of that stuff can be very disconcerting and bizarre if really looked at.
Furthermore, I believe it's probably one of his best uses of sound. Lynch is a genius at making sound affect imagery beyond levels that most directors use, and while the sound in this short are much more self-conscious and much more apparent than the underlying growling of most of his work, it's a lot more effective.
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