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Casino Royale (1967)

Approved | | Comedy | 28 April 1967 (USA)
In an early spy spoof, aging Sir James Bond comes out of retirement to take on SMERSH.

Directors:

(as Kenneth Hughes), | 3 more credits »

Writers:

(screenplay), (screenplay) | 2 more credits »
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Nominated for 1 Oscar. Another 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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George Raft
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French Legionnaire (as Jean Paul Belmondo)
Terence Cooper ...
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Storyline

After the death of M, Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH and Le Chiffre, Bond thinks up the ultimate plan. That every agent will be named James Bond. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle. Written by simon

Plot Summary | Plot Synopsis

Plot Keywords:

spy spoof | 007 | spy | parody | spoof | See All (418) »

Taglines:

Casino Royale is too much for one James Bond! See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Release Date:

28 April 1967 (USA)  »

Also Known As:

Charles K. Feldman's Casino Royale  »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System) (70 mm prints)| (35 mm prints)

Color:

(archive footage: Keystone Cops)| (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Charles K. Feldman wanted Brigitte Bardot for the role of Mata Bond. See more »

Goofs

In the Jaguar / Bentley / Milk Float chase, when the first truck crashes off the road a camera is plainly visible in the left side of the screen. See more »

Quotes

Taxi Driver: Taxi!
Mata Bond: Tally-ho!
See more »

Crazy Credits

The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy. It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. See more »

Connections

Referenced in Fat City (1972) See more »

Soundtracks

Casino Royale
Music by Burt Bacharach (uncredited)
Performed by Herb Alpert & The Tijuana Brass
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Royale Treatment
19 April 2004 | by (St. Louis, Missouri) – See all my reviews

CASINO ROYALE is one of the truly great bad movies of all time. It is a wonderfully weird, bold, funny and incoherent mess of a movie. What should stink of embarrassing desperation, instead proves to cheerfully insane, unpredictable and remarkably free of common sense.

The film was intended to be the ultimate spy spoof, an attempt to out-Bond the James Bond movies and their innumerable imitators. To this end, the untold number of writers and directors involved have opted to take the everything-but-the-kitchen-sink approach to storytelling, mixed with a cut-and-paste style of editing. It is obvious that no one gave the slightest thought to creating a genuine spy film and instead approached the film with a devil-may-care attitude. As far as the actors are concerned, CASINO ROYALE seems to be little more than an excuse to have a multimillion dollar party at the studio's expense. As a satire of Bond films, CASINO is adequate; as a satire of the then trendy-swinging-cool-hip-with-it-now youth films of the era, it succeeds beautifully.

Basically you have a whole bunch of big name stars -- past their prime, but still with box office credibility -- ridiculing the very youth market that was squeezing them off the theatre marquees. Yet, the film has no malice; it is as bright and breezy as a screwball comedy with just a touch of British absurdity. It is amazing that a film that is so overblown, over produced and over budgeted can still be so light and airy. Despite a chaotic recipe, the film has a lot of really great ingredients. The cast is slumming in style (where else can you find Orson Welles, John Huston and Woody Allen hamming it up in the same film or Peter O'Toole, George Raft, Charles Boyer and Jean-Paul Belmondo dropping in for fleeting cameos?) And you have one of the best soundtrack albums ever, including Herb Alpert's title track and Dusty Springfield's sexy, sultry rendition of the Bacharach and David classic "The Look of Love." Plus, you get Woody Allen as an evil genius out to take over the world and Deborah Kerr dangling from the drain pipe of a Scottish castle.

And, to some extend, the film gets Bond right. As the legit James Bond series grinds on, getting ever more pompous, humorless and heavy-handed, CASINO ROYALE sees the whole genre for what it is: an absurdist lark. Indeed, if CASINO ROYALE has a soul mate, it is not GOLDFINGER, but the "Batman" TV series, another pop culture phenomenon designed to deflate pretense with overblown villains, outrageously silly situations, off-the-wall cameos and a tongue placed firmly in the cheek.

What's not to love?


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