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Bonnie and Clyde (1967)

Approved  |   |  Biography, Crime, Drama  |  13 August 1967 (USA)
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Ratings: 7.9/10 from 75,552 users   Metascore: 81/100
Reviews: 336 user | 141 critic | 8 from Metacritic.com

A somewhat romanticized account of the career of the notoriously violent bank robbing couple and their gang.


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Won 2 Oscars. Another 19 wins & 26 nominations. See more awards »



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Complete credited cast:
Evans Evans ...


1934. Young adults Bonnie Parker, a waitress, and Clyde Barrow, a criminal just released from prison, are immediately attracted to what the other represents for their life when they meet by chance in West Dallas, Texas. Bonnie is fascinated with Clyde's criminal past, and his matter-of-factness and bravado in talking about it. Clyde sees in Bonnie someone sympatico to his goals in life. Although attracted to each other physically, a sexual relationship between the two has a few obstacles to happen. Regardless, they decide to join forces to embark on a life of crime, holding up whatever establishments, primarily banks, to make money and to have fun. They don't plan on hurting anyone physically or killing anyone despite wielding loaded guns. They amass a small gang of willing accomplices, including C.W. Moss, a mechanic to fix whatever cars they steal which is important especially for their getaways, and Buck Barrow, one of Clyde's older brothers. The only reluctant tag-along is Buck's ... Written by Huggo

Plot Summary | Plot Synopsis


"The strangest damned gang you ever heard of. They're young. They're in love. They rob banks." See more »


Biography | Crime | Drama


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Official Sites:



Release Date:

13 August 1967 (USA)  »

Also Known As:

Bonnie y Clyde  »

Box Office


$2,500,000 (estimated)


SEK 5,828,000 (Sweden)

Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Faye Dunaway nearly lost the part of Bonnie Parker as she had put on some weight for Hurry Sundown (1967). See more »


While Clyde is consoling Bonnie in the field after she tries to run away, his hand is alternately on/off her shoulder between shots. See more »


Bonnie Parker: [to Clyde] You're just like your brother. Ignorant, uneducated hillbilly, except the only special thing about you is your peculiar ideas about love-making, which is no love-making at all.
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Shadow Waltz
Music by Harry Warren
Played on the radio during the gas mask scene
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Frequently Asked Questions

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User Reviews

Ripe for Reassessment
6 September 2006 | by (Derry, Ireland) – See all my reviews

When Arthur Penn's Thirties-set gangster movie first appeared in 1967 it was like a breath of fresh air in the American cinema, (though to be fair, on hindsight, the American cinema in the previous few years, particularly in the Independent sector, wasn't doing too badly). Still, Penn's movie seemed to break new ground and not just in it's depiction of violence. It had a lyrical intensity that belonged more to the French New Wave, (and at one time Truffaut's name was associated with the project), and, in that it took back to the American cinema the trappings that the French had originally borrowed in films like "A Bout De Soufflé" and "Shoot the Pianist", seemed to square the circle.

In the intervening years it has fallen somewhat out of fashion. It now almost seems quaintly old-fashioned, it's form more classically structured and narratively driven than might first appeared. But there are virtues that have largely been overlooked. Like "The Graduate" which came out in the same year, it is a young person's film yet it burns with a fierce intelligence that is conspicuously absent from similar films today. I suppose you could say the film has a pop-art sensibility, (a close-up of Faye Dunaway's face, lips burning bright red, could come from a Lichtenstein poster), and its cast seem unnaturally young, (only Beatty had established a persona for himself at the time; the others had yet to establish a reputation), but they became stars because of it. (Gang members Parsons and Pollard didn't make the leap; they were character actors from the start). Arguably you could say Beatty, Dunaway, Hackman, Parsons and Pollard were never to better their work here. They may have equalled it but their performances were definitive.

Arthur Penn, too, was never to make another movie as good. The film's extraordinary critical and popular success gave Penn the freedom to tackle 'weightier' material, but "Little Big Man" and "Georgia's Friends" now seem misguided attempts at solemnity, while even his brilliant western "The Missouri Breaks" seems to succeed more for it's oddness rather than it's originality. Perhaps "Bonnie and Clyde" was a one-off though it did spawn an awful lot of break-neck thrillers and up-dated film-noirs, and was more responsible for the baby-boom in movies in the seventies than "Easy Rider" which followed it two years later. It remains a film ripe for reassessment.

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Question(s) and observations for those of you who really LOVE this movie aircrftmec
This movie sucked, why the hell does it have 8 stars? grandmasterx500
What was Clyde's sexual issue? Nobody3456
Highly Overrated mutationjason
Watched this in my Film class today... lona_no_friends
Michael J. Pollard's Performance kenobi7
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