Jealousy and hatred is what separates the Pandava and Kaurava. The Kaurava fear the Pandava are after the throne of their father. Yudhishthira of the Pandava gets told by the deity Krishna that he will become king. A war is inevitable.
Ewa Bonecka, a young student about to start school in a new place finds herself without a place to sleep after she is declined a room in a women-only hotel. Helped by a pleasant policeman, ... See full summary »
July 13, 1808 at the Charenton Insane Asylum just outside Paris. The inmates of the asylum are mounting their latest theatrical production, written and produced by who is probably the most famous inmate of the facility, the Marquis de Sade. The asylum's director, M. Coulmier, a supporter of the current French regime led by Napoleon, encourages this artistic expression as therapy for the inmates, while providing the audience - the aristocracy - a sense that they are being progressive in inmate treatments. Coulmier as the master of ceremonies, his wife and daughter in special places of honor, and the cast, all of whom are performing the play in the asylum's bath house, are separated from the audience by prison bars. The play is a retelling of a period in the French Revolution culminating with the assassination exactly fifteen years earlier of revolutionary Jean-Paul Marat by peasant girl, Charlotte Corday. The play is to answer whether Marat was a friend or foe to the people of France. ... Written by
Glenda Jackson was nominated for the 1966 Tony Award (New York City) for Supporting or Featured Actress in a Drama for "Marat/Sade" recreating the role in this filmed production. See more »
Marquis de Sade:
To me, the only reality is imagination; the world inside myself. The revolution no longer interests me.
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The opening credits - the play's title, stage credits and the actors appearing in the film - pop on the screen, one word at a time, until it is filled. The closing credits - the film's production staff - start off with a full screen of words; they then pop off the screen, one word at a time, until it is completely empty...just as it was when the film began. See more »
I know little or nothing about the French Revolution, but I have seen this movie several times. (Perhaps all I know about the French Rev. is from this movie!) However, I do know superb drama when I see it. I know masterful performances. I know artful, excellent directing and scripts that make actors drool with anticipation. This movie is one of the ten best ever.
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