7.6/10
1,983
34 user 11 critic

Marat/Sade (1967)

Not Rated | | Drama, History, Music | 13 April 1967 (Sweden)
In an insane asylum, Marquis de Sade directs Jean Paul Marat's last days through a theater play. The actors are the patients.

Director:

Writers:

(play), (English translation by) | 2 more credits »
Reviews

On Disc

at Amazon

2 wins. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Drama | Musical
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  
Director: Peter Brook
Stars: Hélène Delavault, Zehava Gal, Eva Saurova
Comedy
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Ewa Bonecka, a young student about to start school in a new place finds herself without a place to sleep after she is declined a room in a women-only hotel. Helped by a pleasant policeman, ... See full summary »

Director: Tadeusz Chmielewski
Stars: Barbara Lass, Stanislaw Mikulski, Stefan Bartik
Tell Me Lies (1968)
Documentary | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A variety of British views on the Vietnam War.

Director: Peter Brook
Stars: Mark Jones, Pauline Munro, Eric Allan
King Lear (1971)
Certificate: GP Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »

Director: Peter Brook
Stars: Paul Scofield, Irene Worth, Cyril Cusack
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

G.I. Gurdjieff is a spiritual teacher and mystic who, after a lifetime study, developed a form of meditation incorporating modern dance.

Director: Peter Brook
Stars: Dragan Maksimovic, Terence Stamp, Mikica Dimitrijevic
Demons (1971)
Drama | Horror
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

After being robbed by a geisha, a ronin warrior carves a bloody path to seek revenge.

Director: Toshio Matsumoto
Stars: Katsuo Nakamura, Juro Kara, Yasuko Sanjo
Edit

Cast

Cast overview, first billed only:
...
...
Michael Williams ...
Herald
...
Monsieur Coulmier
...
...
Cucurucu
Hugh Sullivan ...
Kokol
...
Newly Rich Lady
...
A Mad Animal
...
Polpoch
Jeanette Landis ...
Rossignol
Robert Langdon Lloyd ...
Jacques Roux (as Robert Lloyd)
...
Monsieur Dupere
James Mellor ...
Schoolmaster
Henry Woolf ...
Father
Edit

Storyline

July 13, 1808 at the Charenton Insane Asylum just outside Paris. The inmates of the asylum are mounting their latest theatrical production, written and produced by who is probably the most famous inmate of the facility, the Marquis de Sade. The asylum's director, M. Coulmier, a supporter of the current French regime led by Napoleon, encourages this artistic expression as therapy for the inmates, while providing the audience - the aristocracy - a sense that they are being progressive in inmate treatments. Coulmier as the master of ceremonies, his wife and daughter in special places of honor, and the cast, all of whom are performing the play in the asylum's bath house, are separated from the audience by prison bars. The play is a retelling of a period in the French Revolution culminating with the assassination exactly fifteen years earlier of revolutionary Jean-Paul Marat by peasant girl, Charlotte Corday. The play is to answer whether Marat was a friend or foe to the people of France. ... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama | History | Music

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

13 April 1967 (Sweden)  »

Also Known As:

A Perseguição e o Assassinato de Jean-Paul Marat Desempenhados Pelos Loucos do Asilo de Charenton Sob a Direção do Marquês de Sade  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Several lines in de Sade's play give the impression that Charlotte Corday was a royalist (as she was portrayed, for instance, in the British press at the time of her trial). In fact she belonged to a revolutionary sect, the Girondins, more moderate than Marat's. See more »

Quotes

Marquis de Sade: And what's the point of a revolution without general copulation?
See more »

Crazy Credits

The opening credits - the play's title, stage credits and the actors appearing in the film - pop on the screen, one word at a time, until it is filled. The closing credits - the film's production staff - start off with a full screen of words; they then pop off the screen, one word at a time, until it is completely empty...just as it was when the film began. See more »

Connections

Referenced in Elisabeth (2005) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
freedom versus captivity - the seminal story
24 January 2004 | by (Acadiana (South Louisiana)) – See all my reviews

One must read the play and see the background of Peter Weiss in order to get the full feel of this movie. It is absolutely the best presentation of the politics of man and our inability to ever resolve the major issues of our existence. Peter Weiss has fully captured the unending struggle between the politics necessary to obtain freedom versus that which enslaves. The best parts are the discussions between Sade and Marat as to the results of freedom versus dictatorship and capitalism versus socialism. The entire story provides a voyage through the human comedy and shows the inability of humanity to ever figure out the real truth of our existence and relationship to each other and our socitey. The result is a better understanding of the sinusoidal flow of the give an take of our history.


11 of 13 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?