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Marat/Sade (1967)

Not Rated | | Drama, History, Music | 13 April 1967 (Sweden)
In an insane asylum, Marquis de Sade directs Jean Paul Marat's last days through a theater play. The actors are the patients.

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(play), (English translation by) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
Michael Williams ...
...
Monsieur Coulmier
...
...
Cucurucu
Hugh Sullivan ...
Kokol
...
Newly Rich Lady
...
A Mad Animal
...
Polpoch
Jeanette Landis ...
Rossignol
Robert Langdon Lloyd ...
Jacques Roux (as Robert Lloyd)
...
Monsieur Dupere
James Mellor ...
Schoolmaster
Henry Woolf ...
Father
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Storyline

July 13, 1808 at the Charenton Insane Asylum just outside Paris. The inmates of the asylum are mounting their latest theatrical production, written and produced by who is probably the most famous inmate of the facility, the Marquis de Sade. The asylum's director, M. Coulmier, a supporter of the current French regime led by Napoleon, encourages this artistic expression as therapy for the inmates, while providing the audience - the aristocracy - a sense that they are being progressive in inmate treatments. Coulmier as the master of ceremonies, his wife and daughter in special places of honor, and the cast, all of whom are performing the play in the asylum's bath house, are separated from the audience by prison bars. The play is a retelling of a period in the French Revolution culminating with the assassination exactly fifteen years earlier of revolutionary Jean-Paul Marat by peasant girl, Charlotte Corday. The play is to answer whether Marat was a friend or foe to the people of France. ... Written by Huggo

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Drama | History | Music

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Not Rated | See all certifications »

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13 April 1967 (Sweden)  »

Also Known As:

A Perseguição e o Assassinato de Jean-Paul Marat Desempenhados Pelos Loucos do Asilo de Charenton Sob a Direção do Marquês de Sade  »

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1.85 : 1
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Did You Know?

Trivia

Several lines in de Sade's play give the impression that Charlotte Corday was a royalist (as she was portrayed, for instance, in the British press at the time of her trial). In fact she belonged to a revolutionary sect, the Girondins, more moderate than Marat's. See more »

Quotes

Marquis de Sade: To me, the only reality is imagination; the world inside myself. The revolution no longer interests me.
See more »

Crazy Credits

The opening credits - the play's title, stage credits and the actors appearing in the film - pop on the screen, one word at a time, until it is filled. The closing credits - the film's production staff - start off with a full screen of words; they then pop off the screen, one word at a time, until it is completely empty...just as it was when the film began. See more »

Connections

Referenced in Home and Away: Episode #1.2281 (1997) See more »

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User Reviews

 
The nature of existence, religion, politics, and everything.
5 December 1999 | by (Northern California) – See all my reviews

Marat/Sade is quite simply one of the best movies I have ever seen. The movie asks the eternal questions regarding the nature of being and the definitions that are agreed to and imposed by society, in all of its forms. Everything is described in this movie, including censorship and propaganda which are all delivered under the guise of benevolent tyranny. The fact that a good portion of events described in the movie aren't historically accurate, doesn't mar the precise and razor sharp script (an English translation of a German Play). It is hard to distill or summarize this movie with any acuity, except to say that the ideas that are described are exactly what is required and nothing more. I'll end with a quote from the beginning of the movie, "...see Marat debating with De Sade, each one wrestling with each other's views. Who's the winner? You must choose...".


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