7.3/10
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13 user 5 critic

The Guest (1963)

The Caretaker (original title)
| Drama | July 1963 (UK)
Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald ... See full summary »

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1 win & 1 nomination. See more awards »

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Mac Davies / Bernard Jenkins
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Aston
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Storyline

Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald Pleasence), an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. Eventually Aston, himself irritated by the cantankerous old man, puts him out. Written by alfiehitchie

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July 1963 (UK)  »

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The Guest  »

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Trivia

Donald Pleasence was nominated for the 1962 Tony Award (New York City) for Actor in a Drama for "The Caretaker" and recreated his role in this production. See more »

Quotes

Mick: I could turn this place into a penthouse. For instance this room. This room could have been the kitchen. Right size, nice window, sun comes in. I'd have I'd have teal-blue, copper and parchment linoleum squares. I'd have those colours re-echoed in the walls. I'd offset the kitchen units with charcoal-grey worktops. Plenty of room for cupboards for the crockery. We'd have a small wall cupboard, a large wall cupboard, a corner wall cupboard with revolving shelves. You shouldn't be short of ...
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Connections

Version of ITV Play of the Week: The Caretaker (1966) See more »

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User Reviews

Extraordinary Film
30 January 2002 | by See all my reviews

This is an extraordinary film and I have been looking for a tape or DVD for some time. Bates is perfectly cast, Pleasance is ideal and utterly memorable, and Shaw is simply brilliant. It is one of the finest films I've ever seen of it's type. Does anyone know if it's maybe hung up in some sort of litigation or has a property rights thing going? It's a real shame that people who weren't around in the 60's can't see it. I think that in some ways this finds each of the actors and even Pinter at their very best. I recommend this to anyone exploring Schopenhauer, Sartre, Beckett, or Genet. It's in my top 100 films ever made. --tatkhj


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