5.7/10
1,373
8 user 16 critic

All These Women (1964)

För att inte tala om alla dessa kvinnor (original title)
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with ... See full summary »

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Storyline

The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information and tries to blackmail the cellist into performing a composition that he, Cornelius, has written. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

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Ingmar Bergman's new comedy. Dazzling color. See more »

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Comedy

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Release Date:

5 October 1964 (USA)  »

Also Known As:

All These Women  »

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| (Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This is Ingmar Bergman's first color film. See more »

Quotes

Traviata: He never gives me a cello lesson. I abase myself. I lie in his bed begging for one. He just pinches my ear and whispers: "I have taught you the rudiments of cello playing: to open your legs." He's course! There he sleeps in his shameless nudity.
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User Reviews

 
All These Women Did Not Save It
21 March 2006 | by See all my reviews

I never thought that I would have to say that but I did not like the Ingmar Bergman's film "All These Women". In spite the very pretty and delicate pink and blue cinematography and the presence of the charming and talented actresses, the movie was a mess of an attempt to create a comedy. Everything that was subtle, sensual, and charming in B/W "Smiles of a Summer Night" (1955) was missing here. First of all - the Jarl Kulle's performance as a music critic - biographer, Cornelius. Kulle was very effective and funny in "Smiles...", in "Women..." - he plays an irritating, annoying, and the worst - absolutely not funny (which is a crime for a comedy) character. If in "Smiles... the writing was a first class and sparkled, I got the impression that in "Women.." Bergman did not care or did not want to work on the script and was more interested in experimenting with colors and music. The movie looks and sounds fine - it is Bergman, after all, but that's the only redeeming qualities that I found.

4/10


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