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IMDb > "Bob Hope Presents the Chrysler Theatre" (1963)

"Bob Hope Presents the Chrysler Theatre" (1963)TV-Serie 1963-1967

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Übersicht

Regisseur:
Sam Peckinpah
Drehbuchautoren:
James B. Allardice (writer) (episode)
Jack Laird (story) (episode "The Lady Is My Life")
Staffeln:
1 | 2 | 3 | 4 | unbekannt mehr
Premierendatum:
27. September 1963 (USA) mehr
Plot:
Legendary entertainer Bob Hope hosted, and occasionally starred in, one of the last major anthology series on network TV... mehr
Filmpreise:
Won 5 Primetime Emmys. Another 8 nominations mehr
Nutzerkommentare:
'The Blue-Eyed Horse': Whinny the poo mehr

Besetzung

 (Zusammenfassung der Besetzung der Serie - 153 von 157)

Bob Hope ... George Warren / ... (7 Folgen, 1963-1966)
Jack Kelly ... Fred Piper / ... (5 Folgen, 1964-1967)
Jack Weston ... Detective Sergeant / ... (5 Folgen, 1964-1967)
George N. Neise ... Alex Morrill / ... (4 Folgen, 1963-1967)

Harold J. Stone ... Borginin / ... (4 Folgen, 1963-1965)

Cliff Robertson ... District Attorney Benjamin Reynolds / ... (4 Folgen, 1964-1967)
Cyril Delevanti ... Bishop Andrews / ... (4 Folgen, 1964-1966)
Don Gordon ... Harry Edmunds / ... (4 Folgen, 1964-1965)
Leon Belasco ... Gregor Kodlitz / ... (4 Folgen, 1965)

Leslie Nielsen ... Fryer / ... (4 Folgen, 1966-1967)
J.D. Cannon ... Dr. Webb / ... (3 Folgen, 1963-1965)
Andrew Duggan ... Captain Franks / ... (3 Folgen, 1963-1966)

Peter Falk ... Bara / ... (3 Folgen, 1963-1966)
Torin Thatcher ... Buinovsky / ... (3 Folgen, 1963-1966)
Albert Paulsen ... Avatin / ... (3 Folgen, 1963-1965)

Jill St. John ... Bunky / ... (3 Folgen, 1963-1965)
John Van Dreelen ... Niklas Strellin / ... (3 Folgen, 1963-1965)

Shelley Winters ... Clarry Golden / ... (3 Folgen, 1964-1967)

Broderick Crawford ... Bill Thayer / ... (3 Folgen, 1964-1966)

Roddy McDowall ... Arthur Biddle / ... (3 Folgen, 1964-1966)
Steve Ihnat ... Doyle Ralston / ... (3 Folgen, 1964-1965)
Don Marshall ... Jerry Benton / ... (3 Folgen, 1964-1965)

Robert Stack ... James Andrew Congers / ... (3 Folgen, 1964-1965)
Warren Stevens ... Drake / ... (3 Folgen, 1964-1965)
Eleanor Audley ... Lil Schaeffer / ... (3 Folgen, 1964)
John Cassavetes ... Harrybell / ... (3 Folgen, 1965-1967)

Michael Constantine ... Niri / ... (3 Folgen, 1965-1967)

Ricardo Montalban ... Adam Steele / ... (3 Folgen, 1965-1967)
Sheree North ... Sally / ... (3 Folgen, 1965-1967)
Donnelly Rhodes ... Jim Pitts / ... (3 Folgen, 1965-1967)
Eva Soreny ... Natalie Kodlitz (3 Folgen, 1965-1967)
Jean Hale ... Fawzie / ... (3 Folgen, 1965-1966)
Berry Kroeger ... Dr. Frysen / ... (3 Folgen, 1965-1966)

Jack Lord ... Abe Perez / ... (3 Folgen, 1965-1966)
Martin Milner ... Lieutenant Eric Kurtz / ... (3 Folgen, 1965-1966)
Victor Buono ... General Leo Chareet / ... (3 Folgen, 1965)
Horst Ebersberg (3 Folgen, 1965)
Stanley Baker ... C.C. Conover / ... (3 Folgen, 1966-1967)

Milton Berle ... Parker Hite (2 Folgen, 1963-1966)
Jeffrey Hunter ... Barry Stinson / ... (2 Folgen, 1963-1964)
Dina Merrill ... Joan Cowley / ... (2 Folgen, 1963-1965)
Simon Scott ... Dr. Bross / ... (2 Folgen, 1963-1964)
Blair Davies ... Vanderveer (2 Folgen, 1963-1964)

Angie Dickinson ... Christina / ... (2 Folgen, 1963-1966)
Peter Mamakos ... Ganoulian (2 Folgen, 1963-1966)

Suzanne Pleshette ... Adrian Harris / ... (2 Folgen, 1963-1966)

Jason Robards ... Irish LaFontain / ... (2 Folgen, 1963-1966)

Dan White (2 Folgen, 1963-1966)
Sorrell Booke ... Larry Gorman / ... (2 Folgen, 1963-1965)
Eric Braeden ... Kurt Krug / ... (2 Folgen, 1963-1965)

Claude Rains ... Mr. Fare / ... (2 Folgen, 1963-1965)
Alfred Ryder ... Boz / ... (2 Folgen, 1963-1965)
Stuart Whitman ... Billy Cole / ... (2 Folgen, 1963-1965)

Dana Wynter ... Jane Day / ... (2 Folgen, 1963-1965)
Rodolfo Acosta ... Colonel Lu (2 Folgen, 1963-1964)
Stanley Adams ... Jake Gozzo / ... (2 Folgen, 1963-1964)
Leo Gordon ... Biggie / ... (2 Folgen, 1963-1964)
Anthony Jochim (2 Folgen, 1963-1964)
Mike Kellin ... Kilgas / ... (2 Folgen, 1963-1964)
Martha Raye ... Herself (2 Folgen, 1963-1964)
Doris Singleton ... Ellen / ... (2 Folgen, 1963-1964)
Robert Strauss ... Brother Thomas / ... (2 Folgen, 1963-1964)
Barry Brooks (2 Folgen, 1963)

Robert Cummings ... Harvey Hines / ... (2 Folgen, 1964-1967)
Malachi Throne ... Hoffman / ... (2 Folgen, 1964-1967)
Bill Dana ... Himself (2 Folgen, 1964-1966)
Connie Gilchrist ... Housekeeper / ... (2 Folgen, 1964-1966)
Joyce Jameson ... Gloria / ... (2 Folgen, 1964-1966)

Jack Klugman ... Markos / ... (2 Folgen, 1964-1966)

Janet Leigh ... Carol Hartley / ... (2 Folgen, 1964-1966)
Ray Montgomery ... Bert Wilson / ... (2 Folgen, 1964-1966)

Carroll O'Connor ... Captain Ted Eyck / ... (2 Folgen, 1964-1966)
John Saxon ... Augie / ... (2 Folgen, 1964-1966)

William Shatner ... David Vincent / ... (2 Folgen, 1964-1966)
Meg Wyllie ... Mrs. Burns / ... (2 Folgen, 1964-1966)
Lloyd Bochner ... Commander Brand / ... (2 Folgen, 1964-1965)

Dabney Coleman ... Sergeant Harry King / ... (2 Folgen, 1964-1965)
Joan Hackett ... Florence / ... (2 Folgen, 1964-1965)
Hoke Howell ... Jimmy (2 Folgen, 1964-1965)
Bethel Leslie ... Clarissa / ... (2 Folgen, 1964-1965)
Pat O'Brien ... District Attorney Hightower / ... (2 Folgen, 1964-1965)
Michael Pataki ... Johnny Ridzik / ... (2 Folgen, 1964-1965)

Nehemiah Persoff ... Alverian / ... (2 Folgen, 1964-1965)

Mickey Rooney ... George M. Cohan / ... (2 Folgen, 1964-1965)

Naomi Stevens ... Aunt Clara / ... (2 Folgen, 1964-1965)
John Willis ... Himself / ... (2 Folgen, 1964-1965)
Jack Bernardi ... Patient (2 Folgen, 1964)
John Considine ... Patterson / ... (2 Folgen, 1964)
Arte Johnson ... Beatnik / ... (2 Folgen, 1964)
Louis Jourdan ... Phillipe Tabor / ... (2 Folgen, 1964)
Sally Kellerman ... Jerrie / ... (2 Folgen, 1964)

Darren McGavin ... Franklin Carson / ... (2 Folgen, 1964)
Joseph Mell ... Joey Rome (2 Folgen, 1964)
Louis Nye ... Jack Roberts / ... (2 Folgen, 1964)
Francine York ... Model / ... (2 Folgen, 1964)
Diane Baker ... Helen / ... (2 Folgen, 1965-1967)
Gene Lyons ... Paul Lepson (2 Folgen, 1965-1967)
Patrick O'Neal ... Father Thaddeus / ... (2 Folgen, 1965-1967)
Tom Tryon ... Eddie Simpson / ... (2 Folgen, 1965-1967)
Eduardo Ciannelli ... Boniface / ... (2 Folgen, 1965-1966)
Peter Duryea ... First Soldier / ... (2 Folgen, 1965-1966)
Leif Erickson ... Ben Stafford / ... (2 Folgen, 1965-1966)
Jocelyn Lane ... Ellie Randell / ... (2 Folgen, 1965-1966)
Celia Lovsky ... Church Goer / ... (2 Folgen, 1965-1966)
Carol Lynley ... Irene Ayers / ... (2 Folgen, 1965-1966)

Don Rickles ... Linny (2 Folgen, 1965-1966)
Georgia Simmons ... Aunt Mary / ... (2 Folgen, 1965-1966)
Abraham Sofaer ... Hill Doctor / ... (2 Folgen, 1965-1966)
Robert Young ... Admiral Matt Callahan / ... (2 Folgen, 1965-1966)
Danielle Aubry (2 Folgen, 1965)
Renzo Cesana ... Pietro (2 Folgen, 1965)
Mimi Dillard ... Nurse (2 Folgen, 1965)
Felicia Farr ... Jemy (2 Folgen, 1965)
John Francis (2 Folgen, 1965)
Vincent Gardenia ... Burt Neasden (2 Folgen, 1965)
Berkeley Harris ... Mikel Hawley (2 Folgen, 1965)
Joey Heatherton ... Cress / ... (2 Folgen, 1965)
Charles Horvath ... Bartender (2 Folgen, 1965)
John Hoyt ... Dr. Lowell Richards (2 Folgen, 1965)

Noah Keen ... Captain Garbedian / ... (2 Folgen, 1965)
Carol Lawrence ... Carol / ... (2 Folgen, 1965)
George Macready ... Graham Justland (2 Folgen, 1965)
Diane McBain ... Herself / ... (2 Folgen, 1965)
George Michenaud (2 Folgen, 1965)
George Nelson (2 Folgen, 1965)
Hugh O'Brian ... Mig Semple / ... (2 Folgen, 1965)
Nadia Posey (2 Folgen, 1965)
Aleta Rotell ... Chorus Girl / ... (2 Folgen, 1965)
Roger Til (2 Folgen, 1965)
Lola Albright ... Edith Woodland / ... (2 Folgen, 1966-1967)
E.J. André ... Calicoon / ... (2 Folgen, 1966-1967)
Brooke Bundy ... Fleming Holloway / ... (2 Folgen, 1966-1967)
Nicholas Colasanto ... Bernheim / ... (2 Folgen, 1966-1967)
Bradford Dillman ... Bannister / ... (2 Folgen, 1966-1967)

Nina Foch ... Dee / ... (2 Folgen, 1966-1967)
Clarke Gordon ... Dr. Gardner / ... (2 Folgen, 1966-1967)
Farley Granger ... Morgan Cain / ... (2 Folgen, 1966-1967)
John Holland ... Doctor / ... (2 Folgen, 1966-1967)
L.Q. Jones ... Ernie Packer / ... (2 Folgen, 1966-1967)
Juliet Mills ... Mary Lewis / ... (2 Folgen, 1966-1967)
Laurence Naismith ... Gordon Knight / ... (2 Folgen, 1966-1967)
Michael Rennie ... Edward Parker Greene / ... (2 Folgen, 1966-1967)
Michael Sarrazin ... Davey Cooper / ... (2 Folgen, 1966-1967)
Jeff Scott ... Lieutenant Grummond (2 Folgen, 1966-1967)

Jean Simmons ... Ruth Bannister / ... (2 Folgen, 1966-1967)
Emily Banks ... Julie Thayer / ... (2 Folgen, 1966)
Steve Carlson ... Billy Tabor / ... (2 Folgen, 1966)
Karen Jensen ... Barbara Fremont / ... (2 Folgen, 1966)
George Maharis ... Michael Kolinos / ... (2 Folgen, 1966)

Pippa Scott ... Catherine Rogers / ... (2 Folgen, 1966)

Robert Wagner ... Harry Brophy / ... (2 Folgen, 1966)
Deanna Lund ... Doris (2 Folgen, 1967)
Dorothy Rice ... Ardys / ... (2 Folgen, 1967)
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Weitere Details

Alternativ:
The Chrysler Theater
Universal Star Time (syndication title)
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Länge:
60 Min (114 episodes)
Produktionsland:
USA
Sprache:
Englisch
Farbe:
Farbe
Seitenverhältnis:
1.33 : 1 mehr
Tonverfahren:
Mono
MOVIEmeter: ?
V 23% since last week why?

Häufig gestellte Fragen (FAQ)

This FAQ is empty. Add the first question.
6 out of 10 people found the following comment useful:-
'The Blue-Eyed Horse': Whinny the poo, 31 December 2003
Author: F Gwynplaine MacIntyre (Borroloola@earthlink.net) von Minffordd, North Wales

*** This comment may contain spoilers ***

'The Chrysler Theatre' was one of American tv's last attempts at a quality anthology series. 'Chrysler Theatre' featured some big-name guest stars, impressive colour photography, and a much higher production budget than those on offer in the classic black-and-white anthology series of the 1950s such as 'Playhouse 90' and 'General Electric Theatre'. But those series tended to feature dramas of stark realism, featuring protagonists with whom the audience could identify. 'Chrysler Theatre' had a penchant for espionage suspensers and noir crime dramas, featuring characters unlike anybody the viewers were ever likely to meet.

Bob Hope, the nominal host of this series, collected an easy payday. At the beginning of each episode he would strut out in front of the Chrysler PentaStar logo and make a few sardonic comments about the story we were about to watch; after the epilogue, he would return to make a few comments about next week's story. It was obvious that Hope was filming several weeks' worth of these intros in a single session.

Probably the worst instalment of this series was 'The Blue-Eyed Horse', an unfunny comedy written by Michael Fessier and directed by Hal Kanter, which aired as the 23 November '66 episode of 'Chrysler Theatre'. Ernest Borgnine stars as Melvin Feebie, a Los Angeles working stiff. At the beginning of the episode, Feebie is sitting in his armchair reading his newspaper. Suddenly noticing our presence, he introduces himself to us, but claims he can't understand why we'd be interested in a normal guy like himself, who never has any unusual experiences. Well, come to think of it, there was that *one* unusual incident a while back. Y'see, it all started... Cue the flashback.

It's a really stupid idea to tell this story in flashback, as we know in advance that everything will come right at the end. Anyway, Feebie is a hard-working guy but he never has any money, due to his wife (the coarse and vulgar Joan Blondell). She's always squandering his wage packet on ugly antiques, which Feebie attempts to put to good use ... such as the beat-up old brass lamp which the Feebies use as a gravy boat. Also, Feebie's wife keeps betting on the horses, but she always loses. Meanwhile, Feebie is also supporting their daughter (the winsome Ann Jillian) and his wife's spinster niece (Joyce Jameson), who uses annoying phrases such as 'cry for happy'. Feebie makes a few ill-chosen comments about how he'd be better off without his wife.

One evening, as the Feebies are sitting down to dinner, Melvin is lifting the gravy boat (an old brass lamp, remember?) as his wife confesses that she blew his wages on a horse race again. 'You and your horses!' says Feebie angrily to his wife. 'I wish you *were* a horse!' Instantly, the brass lamp in his hand glows red-hot and emits a cloud of steam. Gravy warm enough for you, Melvin?

The next morning, lo and behold, Feebie's wife has turned into a thoroughbred mare: a white horse with blue eyes and Joan Blondell's voice. (For some reason, the horse doesn't have Blondell's facial moles.) Now get this stupid script: Feebie has a talking horse, and he desperately needs money. Does he ring up Ed Sullivan's booking agent? No! He decides to enter his wife in the Santa Anita Handicap! Pardon me, scriptwriter, but doesn't a racehorse need breeding papers? Adding insult to idiocy, there's no plausible reason why a horse with a human brain should be able to outrace horses who have been bred and trained for that one activity. Also, female racehorses are consistently outrun by males. There's absolutely no reason why Feebie should expect his wife-turned-horse to outrace *real* horses, but he enters her in the race anyway. Johnny Silver gives a nice performance as Blondell's Runyonesque jockey.

Meanwhile, the neighbours have noticed that Feebie's wife has vanished ... and his comments about being 'better off without her' have come back to haunt him. Feebie is charged with murdering his wife, and hauled off into court. 'The Blue-Eyed Horse' was filmed during that horrible period in American television when Paul Lynde showed up in *every* tv series, always giving his one-note performance as a pop-eyed swish. Here, he shows up as the judge at Borgnine's hearing. If you've seen any of Lynde's other performances, you can fill in the blanks here.

SPOILERS COMING NOW. Needless to say, Feebie's wife wins the Santa Anita Handicap. He collects a pot of money, and the horse conveniently changes back into his wife. Her niece gets to 'cry for happy' again. We end up right where we started, with Borgnine sitting in his easy chair and reading his newspaper. 'Well, after all,' he says, grinning into the camera, 'it's not every guy who can say his wife won the Santa Anita Handicap.'

If this is meant to be funny, it isn't. Joan Blondell looks better as a horse than she ever did as a human being, but that's the only merit in this unfunny episode.

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