Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ...
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Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
This short film is the first segment of five in the multinational feature Love at Twenty (1962), all five segments on the theme of first adult love. After indulging in much delinquency in ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan, once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico, Ernest, Momo, Fido (his youngest brother who lives with him), and Lena... Written by
As Charlie, Lena and the two kidnappers are driving down the road, a truck in front of them bears a large "Cahiers du Cinema" sign. Director François Truffaut wrote for "Cahiers" and dedicated The 400 Blows (1959), another one of his films, to its founder, André Bazin. See more »
When Lena and Charlie walk home after work you can see the shadow of the camera on their coats. See more »
It doesn't feel like a typical Truffaut film - though I've only seen two others from his filmography - in that it's as stylish and self-reflexive as a Godard film. I had got the sense that Truffaut was more 'conventional' in his films, and this one certainly went against it. Not that I'm complaining, though - it's probably the funniest New Wave flick that I've seen. There are loads of little comic moments that reminded me of the modern British comedies - stuff like Snatch and Shaun of the Dead - that I love. But it's also got a dark edge, and not in the black comedy sense. It's pretty depressing, and that's where it fits in line with Truffaut's other films. It's not the relatively light-hearted depression of Godard's films, it's full-fledged tragedy. However, the combination of drama and comedy doesn't always mesh well, as it rarely does for me, and the characters seem too short-changed to justify such an ending. Still, it's very witty and fairly entertaining.
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