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Psycho (1960)

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A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

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(screenplay), (novel)
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476 ( 79)
Top Rated Movies #34 | Nominated for 4 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

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Caroline (as Pat Hitchcock)
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Storyline

Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

motel | money | shower | theft | secretary | See All (301) »

Taglines:

Exploring the blackness of the subconscious man! See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

8 September 1960 (USA)  »

Also Known As:

Alfred Hitchcock's Psycho  »

Box Office

Budget:

$806,947 (estimated)

Gross:

$32,000,000 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Alfred Hitchcock used Hershey's syrup instead of blood because it showed up better on camera. See more »

Goofs

The shadow of the camera falls on the lady examining the pesticide can in Sam's hardware store. See more »

Quotes

Norman Bates: [while in drag, screaming] I'm Norma Bates!
See more »

Crazy Credits

Opening credits prologue: PHOENIX, ARIZONA

FRIDAY, DECEMBER THE ELEVENTH

TWO FORTY-THREE P.M. See more »

Connections

Referenced in The Third Eye (1966) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Hitchcock and Herrmann
23 November 2007 | by (New Zealand) – See all my reviews

Robert Bloch wrote the original work, Joseph Stefano adapted it into a tight screenplay but it was Alfred Hitchcock with the extraordinary complicity of Bernard Herrmann who transformed this lurid tale into a classic, horror masterpiece. The score propels us into the moment before the moment arrives provoking the sort of anticipation that verges on the unbearable. The fact that the key scenes have become iconic film moments: copied, imitated, emulated and parodied, have not diminished its impact, not really. The anticipation, underlined by Herrmann's strings, creates a sort of craving for the moment to arrive. That doesn't happen very often. No amount of planning can produce it or re-produce it - otherwise how do you explain the Gus Van Sant version - so, the only possible explanation is an accident, a miraculous film accident and those do happen. Everything falls into place so perfectly that even the things that one may argue are below the smart standard of the film, are needed, the film without every frame is not quite the film. Try to turn away after the climax during Simon Oakland's long explanation. You can't. I couldn't. Partly because you know you'll soon be confronting those eyes, that fly, the car...


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