A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by
Col Needham <email@example.com>
Psycho (1960) marked the fifth and final time that Hitchcock would earn an Oscar nomination for Best Director, though he never won one any of them. See more »
At the beginning, in the establishing shot of the hotel window, the angle of the shadow on the window ledge changes between shots. See more »
The rain didn't last long, did it? So... where are you off too?
[Marion looks uncomfortable]
Sorry. I didn't mean to pry.
Oh, I don't know. I guess I'm looking for a private island someplace where I can be alone and no one can find me.
What are you running away from?
Why do you ask that?
No reason. No one really runs away from anything. It's like a private trap that holds us in like a prison. You know what I think? I think that we're all in our private traps, clamped in them, and none of us can ...
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Let me start out by saying that I am a fan of Alfred Hitchcock. This movie, in my opinion, is his best work ever. But I think that Hitchcock owes a lot of his success to his long time partner Bernard Herman, who scored the music for many of his films including this one. Anthony Perkins filled the shoes of Norman Bates perfectly. He didn't overact, and he didn't underact. Janet Leigh wasn't the best person to portray Marion, but she played the part fairly adequetly. However, I liked Vera Miles the best in this film. Hitchcock had her in mind for the role after she had to quit working on his last film "Vertigo". She was probably the key role here, since she was the one who discovered Norman's terrifying secret. Tony Award-winning actor Martin Basalm was terrific in his brief appearance as the private detective trying to track Marion down. John Gavin was ok, but nothing to brag about. Hitchcock made a wise decision in filming the movie in black and white, and made history when he demanded that no one be let into the theater after the movie started in order not to cause confusion. This is the most brilliant film I have ever seen, and I give it 5 stars (out of 5).
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