Socialite Anatol Spencer seeks a better relation that he has with his wife. He sets up the friend of his youth Emilie in an apartment only to have her two-time him. He comforts the near ... See full summary »
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and ... See full summary »
C. Aubrey Smith
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by
The Italian catholic party Democrazia Cristiana and the Vatican were deeply against this movie for the portrayal of the city of Rome and its vicious aristocracy (which is historically very close to the Church). One article against the movie, "La schifosa vita" (The filthy life) was probably written by Oscar Luigi Scalfaro, in 1992, President of the Republic. See more »
The aircraft which brings Sylvia to Rome is an Alitalia Vickers Viscount as it comes in to land, but is both a Douglas DC-7C and DC-6B when it is on the ground. See more »
You are the first woman on the first day of creation. You are mother, sister, lover, friend, angel, devil, earth, home.
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(first of all, sorry my poor english) Who, in this entire world, drunk as a horse in the middle of the night, never discovered the meaning of life, that it can be so easy and joyfull that hurts. This happens with a certain frequency. The big problem is, after all that, to face all the thoughts and conclusions in a sober monday morning, when everything is just real, concious and above all that sincere. This is the the big question and problem of Marcello Rubini, a reporter of a gossip magazines who has to deal with the fact that he tastes the same poison he spreads by leaving in a group of people which he sucks his living.
In a moment he is directing his papparazzi and, in the next, he is running away from them. He flows between all kinds of social circles and the only impression he gives is that it doesnt matter what kind of craziness you are getting into everything is a big cliché. From the mainstream world of a gorgeous actress who feels able to express opinions about everything (and we buy it), passing throught the religious world of the faith, and also an intellectual circle that gives a fake impression of freedom, everything turns out to be an escape. That blonde girl appears as a stroke of pureness and sincereness, something we should really look for, but we just dont. In the case of Marcello's life, writing is the solutions he always substitute for vain experiences. Something he likes and that he needs a young girl to tell him that. That litlle cute girl is a person Marcello would like to be, someone who faces the soberty of a monday morning with hopeness and happiness.
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