7.3/10
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54 user 34 critic

Operation Petticoat (1959)

Approved | | Comedy, Romance, War | 1959 (UK)
During World War II, a commander finds himself stuck with a decrepit (and pink) submarine, a con man executive officer, and a group of army nurses.

Director:

Writers:

(screenplay), (screenplay) | 2 more credits »
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Nominated for 1 Oscar. Another 1 win & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Ens. Stovall (as Richard Sargent)
...
...
Robert Gist ...
...
Ernest Hunkle
George Dunn ...
The Prophet
Dick Crockett ...
Harmon
...
Lt. Reid RN
...
Lt. Colfax RN
Clarence Lung ...
Sgt. Ramon Gillardo (as Clarence E. Lung)
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Storyline

A submarine newly commissioned is damaged in the opening days of WW II. A captain, looking for a command insists he can get it to a dockyard and captain it. Going slowly to this site, they find a stranded group of Army nurses and must take them aboard. How bad can it get? Trying to get a primer coat on the sub, they have to mix white and red in order to have enough. When forced to flee the dock during an air attack, they find themselves with the world's only Pink submarine, still with 5 women in the tight quarters of a submarine. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

Submerged with 5 Girls...No wonder the S.S. Sea Tiger turned a Shocking Pink! See more »

Genres:

Comedy | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1959 (UK)  »

Also Known As:

Sirenas y tiburones  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(Westrex Recording System)

Color:

(Eastman Color)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Bob Hope always said it was his biggest regret that he turned down this movie. See more »

Goofs

The destroyer shown attempting to sink the Sea Tiger is the USS Wren, DD-568, which was not commissioned until 20 May 1944. See more »

Quotes

Fox: [comes up the ladder] I found it! I found it! I found it! Look!
[holds up a water soaked box with something in it beyond recognition]
Chief Molumphry: I give up, what is it?
Fox: It's a cake my mother sent me.
Chief Molumphry: Oh, isn't that nice. Take it down to the cook. Maybe he'll warm it up for you.
[Fox leaves]
Chief Molumphry: Mothers. Why couldn't she send us something we need. Like an universal coupling joint.
See more »

Crazy Credits

Opening sequences as viewed through a periscope with cast and crew as various sea creatures. See more »


Soundtracks

I'll Remember April Music
Performed by Gene DePaul
Lyrics by Patricia Johntson and Don Raye Played by Tokyo Rose radio broadcast.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Top talent makes this a winner.
6 April 2004 | by (honolulu, hawaii) – See all my reviews

There's really no reason to expect that this easy-going military comedy should hold up so well after almost 50 years. While extremely popular as a Christmas release in '59, it then boasted two top box office stars to bring in the crowds, which most critics agreed were the primary attraction supporting some rather thin and predictable material. But the merits are considerably more than reviewers originally gave credit for, and the film endures as a cleverly crafted entertainment on several levels. Its uncomplicated premise accommodates humor less derived from incident than from character and situation, making it seem far less pretentious than most films of its kind. Service comedies of this period tend to follow a pattern set by MR. ROBERTS, which was based on a hugely successful stage play and quite reverent to those origins. PETTICOAT is far more spontaneous, so even if plot threads tend to be a bit familiar, its the delivery rather than the content which holds our attention. Of course it doesn't hurt to have Cary Grant at the peak of his powers, hitting all the right notes, balancing the role of naval officer with innate dedication combined with his own charismatic charm and seemingly effortless humor, a performance which is both naturalistic and funny. Curtis, too, had found his groove at this point (he had just completed his tour de force for Billy Wilder, SOME LIKE IT HOT) contributing just the right balance of ingenuousness and star-of-the-month savvy to make his `second banana' role a success. But the lion's share of the credit must go to Blake Edwards, then in the early stages of his most successful period as a master comedy craftsman, boisterous yet sophisticated, among the last of a breed of Hollywood stylists on the rise at a time when the old studio system was nearing its end.


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