The first U.S. spaceship to Venus crash-lands off the coast of Sicily on its return trip. A dangerous, lizard-like creature comes with it and quickly grows gigantic.
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Count Dracula and the Wolf Man seek a cure for their afflictions; a hunchbacked woman, a mad scientist and the Frankenstein monster have their own troubles.
Director:
Erle C. Kenton
Stars:
Lon Chaney Jr.,
John Carradine,
Martha O'Driscoll
A party of archaeologists discovers the remnants of a mutant 5000 year old Sumerian civilization living beneath a glacier atop a mountain in Mesopatamia.
Global panic ensues when it is revealed that a mysterious UFO is actually a giant bird that flies at supersonic speed and has no regard for life or architecture.
When Ygor brings the monster to Dr. Ludwig Frankenstein for care, Ludwig gets the idea of replacing the monster's current criminal brain, with a normal brain.
Director:
Erle C. Kenton
Stars:
Lon Chaney Jr.,
Cedric Hardwicke,
Ralph Bellamy
A Giant Octopus, whose feeding habits have been affected by radiation from H-Bomb tests, rises from the Mindanao Deep to terrorize the California Coast.
Director:
Robert Gordon
Stars:
Kenneth Tobey,
Faith Domergue,
Donald Curtis
Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur which threatens London.
The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <shill@harper.cc.il.us>
Since he planned to use a real elephant for some of the footage in the zoo, Ray Harryhausen asked for one that was 15 feet tall, but the film was only able to procure an eight-foot-tall one for him. In order to make the elephant look much bigger, a 4'6" actor was cast to play the zookeeper. See more »
Goofs
In the opening titles, director of photography Carlo Ventimiglia is credited as Carlos Ventigmilia. See more »
Quotes
[first lines]
Mondello:
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
See more »
This movie is a prime example of the work of one of the masters of stop-motion animation, a form of art that is rapidly being supplanted by CGI. Ray Harryhausen was the ultimate master of this technique, having trained under the likes of Willis O'Brian. His work is still the inspiration for many of the special effects wizards today. Granted, the movies of the 1950's do seem stilted and silly, but quite frankly, the worst of them are probably still superior to most of the direct-to-video drek produced today, and likely better than most of the films produced by major studios. I was raised on films such as 20 Million Miles to Earth and have no problem letting my child watch films like this. I cannot say the same for most of what is released today. 20 Million Miles to Earth is a unique, fun film. It, like others of its kind, comes from a different era, when people were not as jaded and world-savvy as they are today. Save the critical eye for the more cynical, overproduced films of today. Enjoy it for what it is.
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This movie is a prime example of the work of one of the masters of stop-motion animation, a form of art that is rapidly being supplanted by CGI. Ray Harryhausen was the ultimate master of this technique, having trained under the likes of Willis O'Brian. His work is still the inspiration for many of the special effects wizards today. Granted, the movies of the 1950's do seem stilted and silly, but quite frankly, the worst of them are probably still superior to most of the direct-to-video drek produced today, and likely better than most of the films produced by major studios. I was raised on films such as 20 Million Miles to Earth and have no problem letting my child watch films like this. I cannot say the same for most of what is released today. 20 Million Miles to Earth is a unique, fun film. It, like others of its kind, comes from a different era, when people were not as jaded and world-savvy as they are today. Save the critical eye for the more cynical, overproduced films of today. Enjoy it for what it is.