A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, figuring that someone in the family knows where the money is hidden. Despite vowing not to remarry, Willa ends up being easy prey for Harry's outward ... Written by
Charles Laughton reportedly worked well with the boy playing John, but did not get along with the girl playing Pearl and shouted at her on occasion. As Laughton had the camera continue to roll after the scenes were finished, the camera often caught her reacting to him. Some of these "out-takes" were used in the final editing process as reaction shots to the Preacher's character. See more »
When Harry is stood in front of the Moonlit window and talking to Willa who is lying down on the bed, the 'odd' shaped window frame is projected by the moonlight on the wall behind Harry. When there is a shot of Willa alone on the bed, the shape of the moonlit window obviously frames Willa and not on the wall as before. Although the lighting around her is coffin-shaped and likely to be a framing device. See more »
[to Ruby, sobbing in her lap]
Child... You were looking for love, Ruby, in the only foolish way you knew how.
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This film is way ahead of its time, not only in subject matter but also in cinematic style. The subject is a psychopathic preacher who believes that God is telling him to murder women, usually widowers, and take their money.
From the opening two shots and the first few lines of the preacher, the characters history and intent is laid down. As quickly, the first few scenes with the children show the circumstances that will bring about the main premise. After that you are allowed to wallow in Robert Mitchums role as the over acting preacher. Laughton directs very well, with some visually rich scenes and wonderful shots. However, there are a couple of cheesy moments of dialogue, and a few, almost laughable, scenes. Despite this it's a very good movie with some stunning acting from Robert Mitchum.
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