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Robot Monster (1953)

Approved | | Sci-Fi | 25 June 1953 (USA)
The monstrous Ro-Man attempts to annihilate the last family alive on Earth, but finds himself falling for their beautiful daughter.

Director:

Writer:

(original screenplay)
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Cast

Complete credited cast:
...
Roy
Claudia Barrett ...
...
Mother (as Selena Royale)
John Mylong ...
Gregory Moffett ...
Pamela Paulson ...
...
John Brown ...
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Storyline

Ro-Man, an alien that looks remarkably like a gorilla in a diving helmet, has destroyed all but six people on the planet Earth. He spends the entire film trying to finish off these survivors, but complications arise when he falls for the young woman in the group. Love that bubble machine! Written by Ray Hamel <hamel@primate.wisc.edu>

Plot Summary | Plot Synopsis

Taglines:

Adventures Into The Future in New TRU-3 Dimension See more »

Genres:

Sci-Fi

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 June 1953 (USA)  »

Also Known As:

Monsters from the Moon  »

Box Office

Budget:

$16,000 (estimated)

Gross:

$1,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to the Medved brothers' book "The Golden Turkey Awards", director Phil Tucker attempted suicide after the release of this film due to the overwhelmingly negative critical reaction it received. He put a gun next to his head and pulled the trigger. He missed. See more »

Goofs

The "Great one" is clearly seen feeling for his switches on several occasions while talking to Ro-Man, as the actor in the suit can't see them. See more »

Quotes

Ro-Man: I am ordered to kill you. I must do it with my hands.
Alice: How is it you're so strong, Ro-Man? It seems impossible.
Ro-Man: We Ro-Mans obtain our strength from the planet Ro-Man, relayed from individual energizers.
See more »

Crazy Credits

Automatic Billion Bubble Machine by N.A. Fisher Chemical Products, Inc. See more »

Connections

Featured in In the Mouth of Madness (1994) See more »

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User Reviews

 
A masterpiece!
25 January 2005 | by (United States) – See all my reviews

Robot Monster is the Citizen Kane of abysmal 1950s science fiction. It has everything modern viewers have come to expect from movies of this genre: a laughable plot line, completely improbable situations, ludicrous acting, unbelievably awful special effects, cheapjack production values, gaffes galore, and examples of how to fail miserably at every major aspect of motion picture production. For good measure it also sports easily the most ridiculous "monster" in the history of film! The plot is so thin that it can't even be stretched comfortably over the film's 66-minute running time without generous padding. A family, headed by the requisite German-accented scientist and including a "hot" chick, a "manly" guy, and two cutesy-poo kids wander through the desert after Earth has been annihilated by a guy in a gorilla suit wearing a plastic diving helmet. That's basically it, except for some nonsensical pap about an immunity serum. When the guy in the monkey suit is far and away the best actor in the picture, you've got a MAJOR problem--but compared to John Mylong as "The Professor," Ro-Man is Laurence Olivier. You could drive a semi through the plot holes. The dialogue clangers pile up like horseshoes on George H.W. Bush's lawn. You feel embarrassed for director Phil Tucker, and almost ashamed to laugh at this movie when you learn that the bad reviews of the film drove him to attempt suicide. The experience of watching this film, even with its abnormally short running time, is so excruciating that it feels like you've wasted five hours of your life. It's so bad that after a while you begin to marvel at its very badness, and ultimately you come away awe-stricken.

I call it a masterpiece because under normal circumstances only a talented and determined genius could make a film that sinks as low and violates so many rules of film-making, storytelling and suspension of disbelief as this one does. It takes real talent to make Ed Wood look like Stanley Kubrick, but Phil Tucker pulled it off. For that alone he deserves a place in film history.


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