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High Noon (1952)

 -  Western  -  30 July 1952 (USA)
8.1
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Ratings: 8.1/10 from 67,527 users   Metascore: 89/100
Reviews: 321 user | 143 critic | 7 from Metacritic.com

A marshall, personally compelled to face a returning deadly enemy, finds that his own town refuses to help him.

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(screenplay), (magazine story "The Tin Star")
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Title: High Noon (1952)

High Noon (1952) on IMDb 8.1/10

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Top 250 #213 | Won 4 Oscars. Another 13 wins & 10 nominations. See more awards »

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Cast

Complete credited cast:
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Martin Howe (as Lon Chaney)
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Sam Fuller (as Henry Morgan)
Ian MacDonald ...
Eve McVeagh ...
Morgan Farley ...
Harry Shannon ...
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Jim Pierce (as Robert Wilke)
Sheb Wooley ...
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Storyline

On the day he gets married and hangs up his badge, lawman Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station... Written by Man_With_No_Name_126

Plot Summary | Add Synopsis

Taglines:

The story of a man who was too proud to run. See more »

Genres:

Western

Motion Picture Rating (MPAA)

Rated PG for some western violence, and smoking | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

30 July 1952 (USA)  »

Also Known As:

A la hora señalada  »

Box Office

Budget:

$750,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The 1980s were a tumultuous time in Poland. Workers' strikes in Gdansk led to the formation of the Solidarity movement. In 1980 Lech Walesa was elected chairman of this reform movement. The red and white Solidarity logo became an international icon that literally wrapped itself around the city, creating a visual momentum that lead to a political revolution. Once again, posters played a pivotal role in defining the future. In 1989, the day before the country was to vote on the political future of Poland, a poster featuring an image of Gary Cooper from this film was plastered on kiosks and walls around the country. This landmark image of the famous actor strolling towards the viewer depicted him carrying not a gun, but a voting ballot, and wearing a Solidarity logo above his sheriff's badge that read, "It's high noon, June 4, 1989." As Frank Fox, former professor of Eastern European History, stated, "Indeed, an American Western was an apt symbol for a political duel that marked the beginning of the end of Communism in Eastern Europe. Gary Cooper would have approved." See more »

Goofs

After Will shoots Frank, Amy's position on the ground changes. Will should have been walking towards her feet, not her head. Frank's position and the shadows are different also. See more »

Quotes

[to his wife]
Sam: Well, whaddya want? Do you want me to get killed? Do you want to be a widow, is that what you want?
See more »


Soundtracks

High Noon
(1951)
by Dimitri Tiomkin
Lyrics by Ned Washington
Sung by Tex Ritter
Played often in the score
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Oh, To Be Torn Twixt Love And Duty"
22 April 2006 | by (Buffalo, New York) – See all my reviews

On Marshal Gary Cooper's wedding day to Grace Kelly, Lee Van Cleef, Sheb Woolley, and Robert J. Wilkie wait at the train station for the noon arriving train. It will be carrying their former gang leader, Ian McDonald who Cooper sent to prison and who's vowing vengeance.

From the gitgo it's made abundantly clear that these are four nasty dudes who the town ought to deal with expeditiously. But the good elements of the town have grown fat and lazy and content to throw the responsibility of law and order on Cooper's shoulders. And he's quitting anyway, going on his honeymoon with his Quaker bride. A new marshal is going to arrive the next day. Why get involved. They want Cooper to just take his problem elsewhere. That view is probably best expressed by Thomas Mitchell in the scene at the church.

Speaking of the scene in the church my favorite business in High Noon is when preacher Morgan Farley tells Cooper how dare he come into the church because a few hours earlier he didn't see fit to get married in that church. What a set of priorities.

Grace Kelly had her breakthrough role in High Noon. She's a Quaker with deeply held pacifist principles. She's marrying a lawman, but one who's quitting that life. Her best scene in the film is with Katy Jurado who is Cooper's former gal pal. Katy explains the facts of life to Grace about marriage and the duty of standing by your man, long before Tammy Wynette ever sung about it. When the time comes, Grace does the right thing.

Like his rival in western films, John Wayne, Gary Cooper had one of the great faces for movie closeups. Back in the day it used to be a running joke about how Cooper's dialog used to be just "yep" and "nope." It was a good deal more than that. But High Noon's plot is carried quite a bit by the many closeup shots of Cooper. His face tells more than ten pages of speech and it keeps the tension of the film going. Man did not win two Academy Awards for nothing.

Of course the theme of High Noon is also expressed in Dimitri Tiomkin and Ned Washington's Academy Award winning song, sung at times during the film by Tex Ritter. However the big hit record of the film was from Frankie Laine. I doubt there has ever been a movie theme song that expressed everything you needed to know about the motivation of the central character in the film. I don't think High Noon would have attained the classic status it has without that song.

Another great performance in the film is Lon Chaney, Jr. as the former town marshal, old and cynical, who'd like to help Cooper out, but at his age and health realizes he'd be more of a hindrance. He's the only one that Cooper understands and forgives.

The final gun battle is choreographed like a ballet, it's that good. Maybe the best ever filmed. Can't describe it, you got to see it.

The interaction of the town's responsibilities for maintaining law and order and Cooper's personal pride and integrity have been dealt with in various ways in other films. I'd check out Rio Bravo, Warlock, Death of a Gunfighter, Welcome to Hard Times, all of these take a different slant on the same themes.

But personally I've always liked what the townspeople did in a Frank Sinatra film, Johnny Concho. That's what the people of Hadleyville should have done right at the start.


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Why did our 'hero' stay? capnpop
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