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Sunset Blvd. (1950)

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A screenwriter is hired to rework a faded silent film star's script only to find himself developing a dangerous relationship.

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Top Rated Movies #53 | Won 3 Oscars. Another 15 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Undertaker
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1st Finance Man (as Larry Blake)
Charles Dayton ...
2nd Finance Man
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Storyline

In Hollywood of the 50's, the obscure screenplay writer Joe Gillis is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond, who lives alone with her butler and driver Max Von Mayerling. Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was her director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer, Norma becomes jealous and completely insane and her madness leads to a tragic end. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

This is it .. the most compelling dramatic story ever unfolded on the screen .. a tale of heartache and tragedy ..love and ambition .. told against the fabulous background of Hollywood. See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

29 September 1950 (Australia)  »

Also Known As:

A Can of Beans  »

Box Office

Budget:

$1,752,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Norma's bed originally belonged to French actress and singer Gaby Deslys. Universal bought it on her death in 1920 and it was used in several movies, most notably in The Phantom of the Opera (1925). See more »

Goofs

When Norma and Joe are being driven to Paramount, Norma raises her left hand to the left side of her face as Max adjusts the rear view mirror. After the cut, Norma's reflection in the mirror shows her hand immediately relocated to the right side of her face. See more »

Quotes

[first lines]
Joe Gillis: Yes, this is Sunset Blvd., Los Angeles, California. It's about 5 0'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.
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Crazy Credits

The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street. See more »

Connections

Referenced in Exhumed (2003) See more »

Soundtracks

Toccata and Fugue in D-Minor, BWV 565
(ca 1705) (uncredited)
Music by Johann Sebastian Bach
Played on an organ by Erich von Stroheim
See more »

Frequently Asked Questions

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User Reviews

 
Best Performance in Film History: Gloria Swanson
11 January 2006 | by (United States) – See all my reviews

The plot has been discussed at length in other comments.

To me SUNSET BOULEVARD has it all. The comedy is sly, the drama is of epic proportions because it's not JUST a story about Hollywood or an aging actress. It's really about the giving up of dreams.

Norma's dream of return, held to for 20 years, is ironic because Norma so closely parallels Gloria. That Norma cannot make a comeback in 1950 even with connections to DeMille is sad. The sadness is due to Norma's refusal to accept her aging or the politics of Hollywood that worship youth. It's ironic that Norma has no place in Hollywood (the parade has passed by) but DeMille is still working and in the scenes from Samson and Delilah we spot other old-timers like Henry Wilcoxon and Julia Faye--still working but not as STARS. The final irony here is that Gloria did make the comeback that Norma couldn't make.

Norma has a thing about STARS.... she says at one point... "the stars are ageless." Well this is true in a filmic sense. I can still watch Gloria Swanson in THE LOVE OF SUNYA or MANHANDLED and yup, she is ageless. She is still twenty something. That screen image is forever held up like a bad mirror to the reality of being 50. On another occasion Norma says "nobody leaves a STAR, that's what makes one a STAR." True again, but it's not just Gillis who is leaving Norma, her fans have already left. Hence if one is left, one cannot be a STAR.

Gillis also gives up his dream (temporarily) of being a writer, Max gives up his dream of directing, and even Betty gives up her dream of love with Gillis. Scary stuff.

The film is also about LOVE. Look what these people have done for love: love of another person or love of fame or whatever. Max loves Norma. Norma loves Gillis. Gillis loves Norma and Betty. Betty loves Gillis and Artie. Artie loves Betty. And all of them love Hollywood.

Everyone is crushed at the end of this film..... The scene of Max "directing" the scene as Norma descends the staircase is one of the all-time great scenes in a film. Norma's final speech, which sums up everything ("there is nothing else"), is devastating. Can she really be insane and make this lucid speech? If she's NOT insane then she has knowingly killed Gillis to prevent his leaving her (a STAR)....... Also the shots of Max blinking away tears as Norma descends (supposedly into madness) and also of Hedda Hopper crying are equally as devastating as Norma's speech about "being back" and "all those wonderful people out there in the dark" (which of course includes us every time we watch the film).

I cannot think of any other film (possibly CITIZEN KANE) that works on so many different levels. And Gloria Swanson gives the greatest performance in film history!


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