A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
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John Phillip Law,
In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to Africa with the Oklahoma cowboy Gregg to bring attractions to his new night-club in Hollywood. They capture several lions and out of blue, they see a huge gorilla nearby their camping and they try to capture the animal. However, the teenager Jill Young stops the men that intended to kill her gorilla. Max seduces Jill with a fancy life in Hollywood and she signs a contract with him where the gorilla Joseph "Joe" Young would be the lead attraction. Soon she realizes that her dream is a nightmare to Joe and she asks Max to return to Africa. However he persuades her to stay a little longer in the show business. But when three alcoholic costumers give booze to Joe, the gorilla destroys the spot and is sentenced by the justice to be sacrificed. Will Jill, Gregg and Max succeed in saving Joe? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Joe makes his first appearance, and starts poking around the wagons containing the lions, watch the background carefully. Immediately to the left of Joe, between him and the far left wagon is a large bush. Just after Joe shoves the wagon the first time a light suddenly shines on the bush (presumably someone had repositioned a spotlight between shots) and from that point on you can see the reflection of Joe and the wagon reflected in what appears to be an unpainted area of the glass painting behind him. See more »
Who's the greatest press agant in the world, you or me; don't answer that.
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I remember seeing Mighty Joe Young before I ever saw King Kong, and for the longest time I preferred it to Kong because it seemed newer, with better effects, and more familiar actors, while Kong seemed older and a little creakier with a less familiar cast of characters. Over the years I've come to appreciate both as great movies, the same basic story or premise, but with a slightly different spin, one as a grand thrilling epic, and one as a heartwarming story with laughs and thrills. Where Kong is the tragic violent figure meeting his fate for the love of a woman, Joe Young is a warm cuddly teddy bear of a creature trying to stave off that wild beast that lives inside of him for the affection of a woman. Where Kong wouldn't expend a drop of sweat helping a human, except for Ann Darrow, Joe Young appears more than human in that he would sacrifice himself to save the children and adults in an orphanage engulfed in flames. And although Robert Armstrong doesn't play the same character in both movies, just the same type of character, it's kind of nice to see him learn from his mistakes in the previous film and early on in this one so that he can make a determined effort to have this story end differently. While King Kong may have been a grand slam out of the park, Mighty Joe Young still comes out as a solid home run.
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