Brandon and Philip are two young men who share a New York apartment. They consider themselves intellectually superior to their friend David Kentley and as a consequence decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet and their old schoolteacher Rupert from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. Written by
Col Needham <email@example.com>
Screenwriter Arthur Laurents claimed that originally Alfred Hitchcock assured him the movie wouldn't show the opening murder itself, therefore creating doubt as to whether the two leading characters actually committed murder and whether the trunk had a corpse inside. See more »
When Brandon is opening the curtains of the long window after killing David, the shadows are in the wrong direction, towards the window. See more »
[David screams, to Phillip]
[they put David in the trunk and close it]
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In the end credits, the first credit is for the character of David Kentley who is only seen for a couple of seconds and has no spoken lines. Most of the other characters are listed with a descriptive phrase showing their relationship to David Kentley, or relationship among each other, just above the credit line(s) listing the character name and actor. The description and character name pairings are as follows: His friends - Brandon, Phillip; Their housekeeper - Mrs. Wilson; David's rival - Kenneth; David's girl - Janet; His father - Mr. Kentley; His aunt - Mrs. Atwater. The last character listed, Rubert Cadell, is the only one besides David Kentley without such a descriptive phrase. Also, David Kentley and Rupert Cadell are the only characters listed with both first and last names. See more »
You know the quote about Actors being cattle. Hitchcock corrected saying he never said that actors were cattle what he said was that actors "should be treated" like cattle. Great actors give perfect performances in Hitchcok films. Think of Grant and Bergman in Notorious, Cotten in Shadow Of A Doubt not to mention Anthony Perkins in Psycho. Often the improbabilities of the plot become totally credible by the credibility of the performances. Here, John Dall and Farley Granger act and act to outrageously that it's impossible to believe they can get away with it for more than five minutes. Their characters are impossible to warm up to like it happened with Anthony Perkins in Psycho or with Colin Firth in Apartment Zero, no matter how sickly those characters are you can't help connect with their humanity. Hitchcock in Rope seemed much more taken by the technical wizardry and it is unquestionably fun to watch. So Rope provided me with superficial pleasures and sometimes that's enough.
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