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Rope (1948)
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Übersicht
Premierendatum:
28. August 1948 (USA) mehrWerbezeile:
The guest who's dead on time mehrPlot:
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime. full summary | add synopsisAuszeichnungen:
2 nominations mehrNutzerkommentare:
More Than Just a Technical Achievement mehrBesetzung
(alle Darsteller)| James Stewart | ... | Rupert Cadell | |
| John Dall | ... | Brandon Shaw | |
| Farley Granger | ... | Phillip Morgan | |
| Cedric Hardwicke | ... | Mr. Kentley (as Sir Cedric Hardwicke) | |
| Constance Collier | ... | Mrs. Atwater | |
| Douglas Dick | ... | Kenneth Lawrence | |
| Edith Evanson | ... | Mrs. Wilson | |
| Dick Hogan | ... | David Kentley | |
| Joan Chandler | ... | Janet Walker |
Weitere Details
Alternativ:
Alfred Hitchcock's Rope (USA) (complete title)Cocktail für eine Leiche (Österreich) (Bundesrepublik Deutschland) [de]
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Parents Guide:
View content advisory for parentsLänge:
80 MinLand:
USASprache:
EnglischFarbe:
Farbe (Technicolor)Seitenverhältnis:
1.37 : 1 mehrTonverfahren:
Mono (RCA Sound System)Altersfreigabe:
South Korea:18 (2003) | USA:PG (TV rating) | Brazil:14 | Iceland:L | Spain:T | Portugal:M/12 | USA:Approved (PCA #13027) | Argentina:13 | Australia:PG | Canada:14A (video rating) | Canada:AA (original rating) | Finland:K-16 | Germany:16 | Norway:16 | Sweden:11 (re-release) | Sweden:15 (original rating) | UK:PGMOVIEmeter: 
Unterhaltsames
Dies und das:
The picture was filmed entirely in-studio (except for the opening credits). The clouds that you see out the window are made out of fiberglass. For the effect of a police siren coming towards the apartment building at the end, Alfred Hitchcock had an ambulance come at full speed, from several blocks away, straight to the Warner Brothers studio, siren blaring all the way. The sounds were picked up by a microphone suspended from the studio gate. mehrPannen:
Abfolgefehler: When Phillip and Brandon put David in the chest, the rope is clearly around David's neck and completely inside the box. But in a few minutes Phillip finds the rope hanging, very far, outside the box. mehrSoundtrack:
Mouvement perpetuel mehrHäufig gestellte Fragen (FAQ)
Is this movie based on a novel?Any recommendations for other movies by Alfred Hitchcock?
A NOTE REGARDING SPOILERS
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This 1948 Hitchcock film is mostly noted for its technical achievements. Hitchcock filmed this story, about two well-to-do rich kids who decide to commit a murder for the fun of it, as a play. Which, it in fact, originally was, though based in London and not New York. Technical limitations did not enable his original vision of making the entire picture one continuous long shot. Instead it is made up of several 8 minute continuous shots. This was the length of film that fit into one reel. Using some very inventive cutting techniques the film appears as if it was filmed all in one take. This is more impressive when you see the actual size that color film cameras were during this time period. They were absolutely enormous, bigger than a man standing. To move the camera in and around the small stage space, many of the set pieces were set on casters and rolled about to keep out of the way of the camera. Some of the actors were noted in saying that they worried every time they sat down, that there might not be a chair for them to fall into. Another achievement of the film is in terms of lighting. The apartment that the entire film is set in has several large windows overlooking the city. As the movie is more or less uninterrupted from start to finish we see the lighting change as the sun begins to set and night falls. It is a testament to this achievement that upon first viewing you don't really notice the effect. Yet, the filmmakers took great pains to get it to look realistic, staging numerous re-shoots for the final few scenes.
Though the technical achievements are quite wonderful, it is a shame that they have overshadowed what it really a very good bit of suspense. It seems the two high society murderers have planned a dinner party just after the murder. They store the corpse in a wood box that is featured prominently in the midst of the dinner. This creates an excellent mix of suspense and the macabre. Throughout the party the murderers become more unraveled even as they are enjoying their little game.
All of the acting is quite good. The two murderer (John Dall and Farley Granger) do a fine job of playing intellectual, society playboys, with a desire for excitement. It is slightly annoying watching their excited, nervous mannerisms (especially some stuttering by Jon Dall) but it is fitting with the characters. Their former instructor, Rupert Cadell, is played magnificently by the impeccable James Stewart. This is a bit of departure from Stewarts typical roles. Here he is a tough, cynical intellectual. This was his first of four collaborations between Stewart and Hitchock and it is hard to imagine his role as Scottie in Vertigo without having first played in this movie.
The story unravels in typical Hitchock fashion. The suspense is built, then lessoned by some well timed comedy, and then built again to a final crescendo. Hitchcock was excellent as a technical director and allowed his actors the breathing room they needed for fine performances. In the end I left the picture feeling more excited about the superb storytelling than any particular technical achievement. It is a testament to his craft, that Hitchock allows you to leave a picture being enamored with his story over his technical achievements. Some of the greatest effects are those you don't notice because they seem so natural and real.
Alfred Hitchock manages a triumph of technical brilliance and suspense in Rope. It's influence in the technical realm of cinema far outshines any effect the story has on future movies. This is a shame, for the story being told is one of suspense, macabre and excitement.
Like this review? Go to www.midnitcafe.blogspot for more.