After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Sister Clodagh, currently posted at the Convent of the Order of the Servants of Mary in Calcutta, has just been appointed the Sister Superior of the St. Faith convent, making her the youngest sister superior in the order. The appointment is despite the reservations of the Reverend Mother who believes Sister Clodagh not ready for such an assignment, especially because of its isolated location. The convent will be a new one located in the mountainside Palace of Mopu in the Himalayas, and is only possible through the donation by General Todo Rai of Mopu - "The Old General" - of the palace, where the Old General's father formerly kept his concubines. On the Old General's directive, the convent is to provide schooling to the children and young women, and general dispensary services to all native residents who live in the valley below the palace. Accompanying Sister Clodagh will be four of the other nuns, each chosen for a specific reason: Sister Briony for her strength, Sister Phillipa who... Written by
Jack Cardiff drew inspiration for his shots from the great painters; he experimented with the tones of Van Gogh, for example, or the reds and greens from Rembrandt. In her British Film Guide book on Black Narcissus, Sarah Smith quotes Cardiff, who explained the influence of Vermeer and Caravaggio: "They both lit with very simple light. Many painters did, but with Vermeer and Caravaggio you were very conscious of it; they really used the shadows. Caravaggio would just have one sweeping light over everything so that you were aware of the single light." The resulting lighting was unusual for Technicolor films of the time, and initially caused concern for Technicolor consultant Natalie Kalmus. She grew to appreciate the look Cardiff was creating once she saw the initial rushes, however. See more »
(at around 1 min) There is a statue of the crucified Christ, complete with the requisite wounds. however, the wound on his chest is on the wrong side - it is always shown on the left side; this one is on the right. Note that this is merely an artistic convention; the Bible (Jn 19:34) does not mention which side was pierced. See more »
Wind is always blowing throughout the monastery the Servants of God nuns have inherited in a remote part of India. In accepting being in charge of the new place, Sister Clodagh will question her faith as she faces one of the greatest challenges of her life.
Michael Powell, working with his usual collaborator, Emeric Pressburger, on the Rumer Godden's novel, created a film that stands the test of time. His achievement is even more incredible as he shot this film in an English studio. The film, brilliantly photographed by Jack Cardiff, one of the best men in the business, and a frequent ally of Mr. Powell, is one of the best pictures of the English cinema. The glorious Technicolor still looks great.
"Black Narcissus" questions how some Christians, in this case, nuns of a religious order, can be so blind about things that deviate from what it deems is the right way. When the young General wants to be part of the school the nuns are creating, they reject him, yet, he asks about how would a God, made human in the form of Christ, would respond to his petition.
Sister Clodagh is also put in a spot when she wants to get rid of the old man who day after day sits staring at the distant mountains. It's Mr. Dean who challenges her in asking how would her God deal with the old man. Sister Clodagh's past is revealed in flashbacks when she was a young woman and in love with a young man who wanted to emigrate to America and she wasn't ready to follow him.
Also, Sister Ruth, who is a rebel, decides to abandon the order because she is in love with Mr. Dean. The highlight of the film is the scene in which Ruth begins applying the deep red lipstick, which makes quite a contrast with her beautiful reddish hair to the horror of Sister Clodagh, who clearly is not prepared for the desertion.
There is also an undercurrent between Sister Clodagh and Mr. Dean, who one feels loves her. The nun is too loyal to the principles that made her take the vows. She realizes at the end that while she had the best intentions to transform the place, she is only a human being who suffers a defeat because of her surroundings.
Deborah Kerr enjoyed one of the best triumphs of her career with the role of Sister Clodagh. She is seen as a young woman of great beauty and the austere nun she became later in her life. David Farrar is Mr. Dean, the Englishman who is now living in that remote part of India and knows the people well. Kathleen Byron makes an excellent contribution as the rebel Sister Ruth. Flora Robson plays the kind Sister Philippa. Jean Simmons appears as a cruel Indian girl, and Sabu has some interesting moments in the film.
This is one of Mr. Powell's best movies in his influential film career. He was one of the most innovative film makers of his generation and it shows well in "Black Narcissus".
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