Torment
(1944)
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Torment
(1944)
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| Complete credited cast: | |||
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Stig Järrel | ... |
Caligula
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Alf Kjellin | ... |
Jan-Erik Widgren
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| Mai Zetterling | ... |
Bertha Olsson
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Olof Winnerstrand | ... |
The Headmaster
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Gösta Cederlund | ... |
Pippi
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Hugo Björne | ... |
Doctor Nilsson
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Olav Riégo | ... |
Mr. Widgren
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Märta Arbin | ... |
Mrs. Widgren
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Jan Molander | ... |
Pettersson
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| Rest of cast listed alphabetically: | |||
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Hilda Borgström | ... |
Caligula's Mother
(scenes deleted)
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Gunnar Carlsson | ... |
Student
(as Lars-Gunnar Carlsson)
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Anna Olin | ... |
Aunt Elisabeth
(scenes deleted)
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Jan-Erik Widgren is a high-school senior. His Latin teacher, Caligula, is feared by everybody, both teachers and students. Widgren falls in love with Berta, who works in a tobacco store. She tells him that she is harassed by a mean, sadistic man, but does not tell him that it is Caligula himself. Written by Mattias Thuresson
In contrast with his best friend at school, who cites Strindberg's and Nietzsche's cynical views on women, Jan-Erik Widgren considers himself an idealist, who believes there's a chaste woman out there for him. But the adolescent schoolboy's first love proves to be a loose girl he finds stumbling around drunk one night. They become lovers, even though she has another man in her life - a man she says bullies and torments her. Meanwhile, Jan-Erik is poised to fail at school, thanks to a sadistic schoolmaster - a browbeating teacher of Latin whom all the boys refer to as Caligula.
The title sequence promises a thriller, and there are sequences that seem prepared to fulfill that promise; but it never quite pans out. The story never quite pans out as satisfactory drama either, despite some acute observations by the wiser characters and good performances from everyone. Ingmar Bergman's script comes off like gleeful revenge against an actual schoolmaster he knew.
The best thing about the movie is the gorgeous black-and-white photography from Martin Bodin, under Alf Sjöberg's direction, filled with sinister shadows of domineering figures and clutching hands and low angle shots revealing shadow-strewn ceilings.