After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war." Written by
In the WW1 scene where Candy receives a message from a motorcycle despatch rider, the man is wearing the blue and white signaller's armband upside down. See more »
Anything wrong, sir?
Murdoch, the war is over. The Germans have accepted the terms of the armistice; hostilities cease at 10 O'clock. It's nearly that now. Murdoch, do you know what this means?
I do, sir. Peace. We can go home. Everybody can go home.
For me, Murdoch, it means more than that; it means that right is might after all. The Germans have shelled hospitals, bombed open towns, sunk neutral ships, used poison gas, and we won -- clean fighting, honest soldiering have won. God bless you, ...
[...] See more »
The lead actors' names are sewn onto a tapestry-like picture, written on scrolls. This opening credits "needlework tapestry" was completed by the Royal College of Needlework. See more »
I love this film because it asks more questions than it answers. It takes a character that I would not be naturally sympathetic to and explores his life in the context of the war and politics of his time. The films bright colour constantly reinforces the message that the world can not be represented in the black and white of right and wrong. It is more modernist but less self-concious than a host of films that appeared in the 50's and 60's. James Joyce would have loved this film had he seen it. I know that no two people ever come away with the same memories of the film. Remember that this film was made in Britain during a war that the Nazis might have won. It still engages the viewer in a two-way experience that I believe has never been matched. It is true "open cinema" despite the criticisms that others may have. I still do not know what a lot of the film is trying to say, and I hope I never get all the answers. Ciaran Cregan 23.05.01
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