A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A group of reporters who are trying to decipher the last word ever spoke by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the "top of the world." Written by
Apparently, holding less of a grudge than anyone might think, William Randolph Hearst's son said in 1985 that he had enjoyed the film and that Orson Welles could visit his father's San Simeon (CA) estate anytime he pleased--"on my tab", a noble offer as Welles died that year. See more »
In the newsreel sequence, a gazette in Spanish is shown, announcing Kane's death. The newspaper's name is "El Correspendencia" but that name simply makes no sense for Spanish speakers. The closest match to this would be "La Correspondencia" because most of the words that end with an "A" are meant to reflect a female gender and the correct article is "La", not "El". However, that literally means "The Mail" and this is just a generic name which is fairly related to news media. Also, the words "Murió" in the header, as well as the "Xanadú" in the article's text are misspelled because they lack the accent marks on the last vowels. Another mistake is "Destinguido editor" instead of "Distinguido editor" can be read below the article's title. Finally, the title would never be written as such in Spanish (you can read "Madrid" in the paper): you wouldn't say "El Sr. Kane se murió" but rather "El Sr. Kane ha muerto". It might be a "Heart of Darkness" reference, with the intention that it be translated as "Mr. Kane, he dead." See more »
why did Citizen Kane create such an impact upon its first release?
Well as a media student myself , i have come across this question many times in books and during lectures. There are simply 3 reasons the film, which was considered as the "Mona Lisa of all films" , created such a legendary appeal upon release in 1941: 1) This was Orson Welles first cinematic debut , even though he had been a huge star in theater , he was given an opportunity few first time directors were permitted to having. He had full artistic freedom and above all power, to direct , produce, write and even star in his own picture. Therefore the film industry and RKO pictures had absolutely no influence in the making of the film and were not to know what was happening on set .Of course this was bound to generate a number of problems as businessmen were curious about the nature and plot of the film , which takes us to the second reason the film caused controversy.
2)One of the main reasons the film posed contentions was because the main character , Charles Foster Kane(Orson Welles), featured a range of similarities with real media mogul and newspaper journalist William Randolph Hurst . Therefore the film was seen as depicting the life , problems and personal relationships of a real person thus fictionalizing his life. Some of the similarities between the two persona's are:
KANE: newspaper tycoon , worked for New York Inquirer , known as the Kubla Khan of Xanadu ,married talentless singer Susan Alexander Kane, he was a political aspirant to presidency by campaigning for governor, bought his wife the Municipal Opera House, Financier Thatcher, and threat Getty's. Hurst: yellow journalist , worked for New York Journal, political aspirant to presidency by becoming governor, married acress Marion Davies, bought his wife Cosmopolitan Pictures, financier JP Morgan , and threat Tammany Hall.
-differences: Susan Alexander Kane( Dorothy Comingdore) leaves Kane later in their life however there was no marriage breakdown for Hurst and Marion.
3) The last reason and most pivotal of all to why the film was regarded the way it was , was due to its technical and stylistic innovations . The film upon its release was misunderstood and unappreciated by critics as they couldn't comprehend many of its elements and were too concerned with its dark and mysterious nature which is one of Welles's characteristics in his films. The film after all was 20 years ahead of its time and was only regarded as a triumphant success upon its second release after the American Film Noir era in the 1950's. His most prominent artistic inventions were: -the low angled camera movements -extreme facial closeups -long uninterrupted shots -chiaroscuro lighting -overlapping dialogue , giving a realistic effect to conversations -subjective camera angles -deep focus shots and depth of field -flashbacks that make up most of the film All the above and more constitute to why the film is so influential to all would be film directors and for why many people regard it as the best film of all time. Lastly we musnt forget the exceptional score by Bernard Herrmann who had collaborated also with the best known director of all time, Alfred Hitchcock , and made him the chillin sounds of strings in Psycho and Vertigo to name a few . In addition the superb photography of Gregg Toland in regards to Welles's unique eye on details. After all he wanted to put in each shot everything the human eye can see if they were present.
There are many areas of the film which are crucial , these are some of the most important , and as you can see there is never too little or too much that you can add to this masterpiece .
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