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The Great Dictator (1940)

G | | Comedy, Drama, War | 7 March 1941 (USA)
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Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

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3,132 ( 84)
Top Rated Movies #52 | Nominated for 5 Oscars. Another 6 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Madame Napaloni
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Bacterian Ambassador (as Carter De Haven)
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Maurice Moscovitch ...
Mr. Jaeckel (as Maurice Moscovich)
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Mrs. Jaeckel
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Paul Weigel ...
Mr. Agar
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Barber's Customer
Esther Michelson ...
Jewish Woman
...
Storm Trooper Stealing Fruit
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Storyline

20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

He talks. See more »

Genres:

Comedy | Drama | War

Certificate:

G | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

7 March 1941 (USA)  »

Also Known As:

The Dictator  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

€9,826 (Italy) (22 December 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When Jack Oakie (Benzini Napaloni) first visits Adenoid Hynkel (Charles Chaplin) in his palace, Oakie greets Chaplin with a Yiddish expression, which, loosely translated, means "How's it going?" See more »

Goofs

(at around 42 mins) When Hynkel opens the filing cabinet behind his desk to reveal and look into the full length mirrors inside of it, the studio lights can briefly be seen reflected in them. See more »

Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
See more »

Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »

Connections

Referenced in La foto (2001) See more »

Soundtracks

String Quintet in E, Op. 13 No. 5: Minuet
(uncredited)
Music by Luigi Boccherini
Played on piano a bit by Charles Chaplin
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Frequently Asked Questions

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User Reviews

Credit where it's due
7 January 1999 | by (Taegu, South Korea) – See all my reviews

Aside from giving this film its proper socio-historical credit as one of only 2 U.S films which condemned Hitler, Naziism and the Holocaust prior to U.S. involvement in WWII, it's a great time as well. Much of the humor remains visual, and some of the funniest (and most famous) scenes are done in the silent mode (e.g. the globe). Although a bit more lacking in continuity and editing than many of Chaplin's earlier films, to do it credit simply as a passable first effort at a new medium is to damn it with faint praise. It's unique. No serious student of film can neglect to see and appreciate The Great Dictator as a classic amalgam of film talents.


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