Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by
Dale O'Connor <email@example.com>
David O. Selznick bought the rights to the best selling novel for $50,000. Louis B. Mayer, Selznick's father-in-law and head of Metro-Goldwyn-Mayer Studios, was determined to make Gone with the Wind (1939) an MGM film. Mayer initially offered to buy Selznick out at a handsome profit. Warner Bros. offered Bette Davis, Errol Flynn and advantageous financing. Selznick's own distributor United Artists showed interest in providing a production financing package. However, none of them had an actor capable of portraying Rhett Butler except MGM, which offered a deal that included Clark Gable. After much vacillating on Selznick's part, a deal was struck with MGM on January 19, 1938 that gave Selznick Clark Gable and $1.25 million toward production costs, in return for giving MGM distribution rights and 50% of the profits, which were further reduced by Loew's Inc.'s 15% interest and a requirement to pay Gable's $4,500 per week salary and one-third of Gable's $50,000 loan-out bonus. "GWTW" was, of course, a box office triumph, grossing over $20 million during its initial release alone. Selznick eventually earned $4 million on the picture. Unfortunately, a few years later he sold his rights to John Hay Whitney for a paltry $400,000 to keep his independent production company afloat. John Hay Whitney later sold the rights to Gone with the Wind (1939) back to MGM for a $2.4 million. See more »
When Scarlett and Rhett meet for the first time in the library, there is a globe (or some type of round object) between them. Camera lights are visible in there. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind... See more »
If you have ever considered GWTW to be less than a masterpiece, you'll be swayed by the 65th Anniversary Edition DVD. The 4-disc set features the remastered film and more extras than you could possibly watch in one day (after watching the film, of course). The two-hour making-of documentary is fascinating and shows how the producer (David O. Selznick) of the film affected the cast, director(s) and writer(s) -- and shows the publicity frenzy that was the hunt for Scarlett. The feature of Olivia De Havilland (in 2004) discussing her role as Melanie is a real treat. The picture and sound are great on the 65th Anniversary DVD, and the special features are a true treasure. Accept no substitutes, seek out the 65th Anniversary DVD and bring it home.
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