After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by
Dale O'Connor <email@example.com>
For the thousands who remember its unparalleled drama, action and romance! For the new thousands to whom the wonders will be revealed for the first time! Breathtaking spectacle, inspired acting by the greatest cast ever assembled! The screen's most exciting love story! The most-talked about picture ever made! [reissue] See more »
In the novel the depictions of heroes and villains during Reconstruction is somewhat biased. Members of the old aristocracy like Scarlett, poor whites like Jonas Wilkerson and even the black freedmen use equally opportunist or criminal methods in an an attempt to survive or get rich. However, the former aristocracy is seen as "heroes" and the rest as "villains". See more »
When Rhett comes to visit Scarlett at Aunt Pittypat's with the green bonnet, there is a desk between two windows with busts on top. The busts disappear, then reappear. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »
Gerard O'Hara (Thomas Mitchell), an Irish immigrant, settles in North Georgia and becomes a prosperous plantation owner By great luck he marries young Ellen Robillard (Barbara O'Neill) of Savannah, the daughter of one of the noblest Georgian families and becomes accepted by his aristocratic neighbors They are blessed with three daughters, Scarlett (Vivien Leigh), Suellen (Evelyn Keyes), and Carreen (Ann Rutherford).
Scarlett, the eldest, worships her mother Yet, under her beauty and Southern coquetry, she is charming, but proud, willful and vain She believes she is in love with Ashley Wilkes (Leslie Howard), a good-hearted young army captain But Ashley loves his cousin, Melanie Hamilton (Olivia de Havilland), a delicate, selfless woman He is frightened by Scarlett's energy and animation And although he admits his feelings for her, he is afraid to marry her and decides to take Melanie for his bride
When Scarlett loses Ashley she is more certain than ever that she must have him On their wedding day, she meets Rhett Butler (Clark Gable), a wealthy adventurer from an old Charleston family Rhett, a gamblerwho believes that self-interest is the motive of all human conductis attracted by Scarlett's beauty and realizes that they are equally merciless and conscienceless
Vivien Leigh is magnificent as the spoiled, selfish southern belle... She carries the picture, and controls it... She reproduces the spirited character of Scarlett in all its fluent complexity...
Clark Gablewith a smile and great light in his eyesis fascinating as the elegant, heroic gentleman ... He is perfect as the ladies man... His dramatic high point is his scene crying in Melanie's presence... His love scenes with Scarlett give the picture a vibrancy that is one of its great attractions... The film begins with their first stormy meeting in the library at Twelve Oaks and intensifies at the Atlanta bazaar, when he shocks the confederacy by bidding $l00 "in gold," to dance with the newly widowed Mrs. Hamilton who cares for nothing but herself
Hattie McDaniel gives a rich characterization as Mammy, Scarlett's shrewd black servant who was never fooled by Scarlett's airs and tears...
With a memorable music score by Max Steiner, the film was an instant classic, winner of eight Academy Awards...
56 of 76 people found this review helpful.
Was this review helpful to you?