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Gone with the Wind (1939)

 -  Drama | Romance | War  -  17 January 1940 (USA)
8.2
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Ratings: 8.2/10 from 170,896 users  
Reviews: 660 user | 135 critic

A manipulative Southern belle carries on a turbulent affair with a blockade runner during the American Civil War.

Directors:

, (uncredited) , 1 more credit »

Writers:

(story), (screen play), 4 more credits »
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Title: Gone with the Wind (1939)

Gone with the Wind (1939) on IMDb 8.2/10

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Top 250 #156 | Won 8 Oscars. Another 11 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Ellen - His Wife (as Barbara O'Neill)
...
...
...
...
Fred Crane ...
...
Oscar Polk ...
...
...
Everett Brown ...
Howard C. Hickman ...
John Wilkes (as Howard Hickman)
Alicia Rhett ...
...
Edit

Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

For the thousands who remember its unparalleled drama, action and romance! For the new thousands to whom the wonders will be revealed for the first time! Breathtaking spectacle, inspired acting by the greatest cast ever assembled! The screen's most exciting love story! The most-talked about picture ever made! [reissue] See more »

Genres:

Drama | Romance | War

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 January 1940 (USA)  »

Also Known As:

Lo que el viento se llevó  »

Filming Locations:

 »

Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend:

$1,192,593 (USA) (26 June 1998)

Gross:

$198,655,278 (USA) (13 November 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

(Western Electric Sound System) (5.0 Surround Sound) (L-R)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

David O. Selznick was required to give MGM the distribution rights in exchange for the use of Clark Gable and $1,250,000 in financing. See more »

Goofs

When Ashley comes to Atlanta for Christmas during the war, he and Melanie go upstairs to bed and call over the banister of the staircase landing to Scarlett. They proceed on to their room, and we see the light from their room reflected on the wall at the staircase landing. The light disappears as their bedroom door closes, leaving Scarlett watching in misery. However, when we see Prissy and Scarlett packing to leave Atlanta because Sherman is coming (while Melanie is in labor) it appears that there is no bedroom in a position that could leave a light on the landing wall. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind... See more »

Connections

Referenced in M*A*S*H: Dear Ma (1975) See more »

Soundtracks

Weeping, Sad and Lonely (When This Cruel War Is Over)
(1862) (uncredited)
Music by Henry Tucker
In the score outside the Examiner Newspaper office
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Astounding Film - GWTW is the Definition of a Classic!
15 November 2003 | by (United States) – See all my reviews

The setting is a Georgia plantation. The year is 1861, and sixteen-year-old Scarlett O'Hara is infatuated with the blond, drowsy-eyed Ashley Wilkes - the problem is, Ashley plans to marry another woman. Little matter that every other man in the county is courting Scarlett and that a charming scoundrel named Rhett Butler is staring at her with questionable intent - she cares only for Ashley.

Suddenly, the Civil War brakes out, changing the fates and fortunes of all. Scarlett, clever, manipulative, and charming, proves an adept survivor - but what will she have to do to survive? And will she ever learn whom it is that she really loves?

GWTW is one of the most meticulously cast films ever; with the possible exception of Leslie Howard as Ashley (in his forties, rather old to be playing a man half that age), every role was perfectly assigned. After you watch Vivien Leigh you will be unable to imagine anyone else playing Scarlett, and Hattie McDaniel's strong, unforgettable performance as "Mammy" netted her an academy award (the first for an African-American actor).

GWTW's backdrop is the gruesome Civil War, and in the end this film is the story a woman and a civilization (the Old South) going through a war that will not leave either of them unchanged.

The cinematography is beautiful, memorable. Gone With the Wind was shot entirely in gorgeous technicolor; the scene of the fire in Atlanta required the use of all eight technicolor cameras in existence at the time.

The pragmatic may think Gone with the Wind overly dramatic; the restless may find it too long; the action-stimulated, too subtle. None of this, however, detracts from the fact that GWTW retains a lasting appeal as one of the crowning cinematic achievements of the 20th century. Those who see its ending as depressing - tragic, even - perhaps miss the point - which Scarlett O'Hara makes in her very last instant with us, tear-stained eyes uplifted in a sudden, curious burst of hope beneath all the turmoil; that .. . "After all, tomorrow is another day." 10/10


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