The 39 Steps (1935)

Unrated  |   |  Film-Noir, Mystery, Thriller  |  1 August 1935 (USA)
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Reviews: 208 user | 96 critic

A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.



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Complete credited cast:
Godfrey Tearle ...
Helen Haye ...
Mrs. Jordan
Frank Cellier ...
The Sheriff
Gus McNaughton ...
Commercial Traveller (as Gus Mac Naughton)
Jerry Verno ...
Commercial Traveller
Peggy Simpson ...


Richard Hannay is a Canadian visitor to London. At the end of "Mr Memory"'s show in a music hall, he meets Annabella Smith who is running away from secret agents. He accepts to hide her in his flat, but in the night she is murdered. Fearing he could be accused on the girl's murder, Hannay goes on the run to break the spy ring. Written by Claudio Sandrini <>

Plot Summary | Plot Synopsis


She Hated to be Mastered... But She Learned to Like it from the Man who put the MAN in roMANce See more »


Unrated | See all certifications »

Parents Guide:





Release Date:

1 August 1935 (USA)  »

Also Known As:

Les 39 marches  »

Filming Locations:


Company Credits

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Technical Specs


Sound Mix:

(British Acoustic Film Full Range Recording System: at Shepherd's Bush London)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Alfred Hitchcock's 22nd film. See more »


In the Music Hall scene, Donat's stand-in is clearly sitting in his place in the audience on at least two occasions. See more »


[first lines]
Music hall announcer: Ladies and Gentleman, with your kind attention, and permission, I have the honor of presenting to you one of the most remarkable men in the world.
Heckler in Audience: How remarkable? He's sweating!
See more »


Remade as The 39 Steps See more »


In the Sweet By and By
Music by Joseph P. Webster
Played by Salvation Army band
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The film which launched Alfred Hitchcock's career
21 November 2004 | by (Regina, Saskatchewan, Canada) – See all my reviews

Film history was made in 1935 when Alfred Hitchcock, who was at the time an active but little known and somewhat run of the mill film director, received a contract to create a low budget potboiler type spy thriller, and used the opportunity to provide his studio with a masterpiece which has never been forgotten. In addition he established his reputation as the master of suspense, something which remained unchallenged throughout the remainder of his career. In style this film is quintessimal Hitchcock, and those who know his films can pick out sequences in any of his later ones which were based on, or inspired by, his work in this early thriller. Similarly, sequences from this film have also been imitated by many other directors - for example Richard Pearce, in the thriller "No Mercy" (1986), included sequences that imitated a famous sequence in Hitchcock's film where Robert Donat and Madeleine Carroll were handcuffed together and on the run , by showing Richard Gere and Kim Basinger fleeing pursuers whilst handcuffed together. Because of this "The 39 Steps" has become a "must see" classic that most movie buffs still regard as an essential element in their personal film collection.

There are two criticisms commonly made of this film. The first is that there are logical imperfections in the story. This is true of almost all Hitchcock films (as well as those of most other directors). The point is that Hitchcock had an unsurpassed ability to maintain a flow in the unfolding of his story on the screen which totally distracts his audience from the type of mental agility required to even be aware of them. Only when dissecting the story on a sequence by sequence basis will such imperfections become significant. The second criticism is that this film, whilst based on John Buchan's novel of the same name, departs very considerably from the story in the book. I am not a purist about this, books and films are totally different media and must be judged independently. In some cases it must be recognised that a book is structured so that it is almost impossible for a film to remain true to the original book. What I do believe is important is that the film-goer should be entitled to know how true a film is to a previously read and perhaps long loved book. If a film is described as "the film of the best selling novel........", then it should be as accurate a dramatic presentation of the story in the book as possible. (Where the original is a play, not a book, the dramatic medium is already much closer to the movie form, and I believe such a description should only be used when most of the original dialogue from the play is accurately reproduced in the movie.) By contrast, if a film is described as "based on............" then the filmmaker should have considerably more freedom; and if the phrase used is "inspired by........" then a largely independent dramatic presentation should be expected. In the case of "The 39 Steps, Hichcock's film comes into the latter category, but a later (and in my opinion generally inferior) 1978 film of the same name can legitimately claim to be much more closely based on the book. In this instance I personally do not regard the original book as sufficiently important to be sacrosanct, but those who differ from me about this may feel they have an adequate reason for preferring the 1978 film.

Today "The 39 Steps" is seldom shown in movie theaters and, when a home video rather than the actual film is under consideration, attention needs to be given to the medium and technology with which it has been reproduced. The catch phrase "digitally remastered" is often used to reassure a purchaser that he is buying the best possible product, but this may be totally irrelevant. The nuances of shade in a good black and white photograph can often be artistically more significant than those of colour in a colour print, and the same is true for many early movies. But home video versions of black and white films are usually disappointing as these nuances are seldom reproduced accurately, if at all. It is regrettable that, largely because of this, many young people today have no appreciation of the artistic appeal a really good black and white movie film can have. Home video versions of "The 39 Steps" as both DVD's and videotapes have been released by a number of different distributors and these vary in quality enormously. In general DVD's are capable of better rendering of these subtle shade differences than videotapes, but either can be satisfactory. The first requirement is that the distributor has used a high quality master for the material copied, not an old tape that has already been played numerous times. The next is that proper equipment designed for copying from black and white masters is used. Too often copies of old black and white films are made with equipment that is designed only for copying colour films. In such cases the nuances of the multitude of grey shades present in the master are likely to be totally lost. Many of the copies of Hitchcock's film still being sold are particularly bad in this respect, with highlight areas that are totally burnt out instead of containing a mass of detail. The best advice is to consult a website such as that of, where the various versions available are listed and priced, with user comments that indicate how satisfactory the final product has been found by the purchaser concerned. My advice is DO NOT LET YOURSELF BE HAD - THIS WILL ONLY ENCOURAGE THE MARKETING OF SUB-STANDARD MATERIAL.

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