42nd Street (1933)

Regisseur:

Lloyd Bacon

Drehbuchautoren:

Bradford Ropes (novel)
Rian James (writer) ...

Premierendatum:

9. März 1933 (USA)

Genre:

Musical | Romanze | Drama

Plot:

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star...

Plot Keywords:

Tap Dancing | Broadway New York City | Chorus Girl | Dance | Showbiz

Filmpreise:

Nominated for 2 Oscars. Another 1 win

Nutzerkommentare:

the musical that changed musicals

Besetzung

Warner Baxter	...	Julian Marsh
Bebe Daniels	...	Dorothy Brock
George Brent	...	Pat Denning
Ruby Keeler	...	Peggy Sawyer
Guy Kibbee	...	Abner Dillon
Una Merkel	...	Lorraine Fleming
Ginger Rogers	...	Ann
Ned Sparks	...	Barry
Dick Powell	...	Billy Lawler
Allen Jenkins	...	Mac Elroy
Edward J. Nugent	...	Terry
Robert McWade	...	Jones
George E. Stone	...	Andy Lee

Alternativ:

Forty-Second Street (USA) (alternative spelling)
42. Straße, Die (Deutschland) [de]
42. Strasse (Österreich) [de]

Länge:

89 Min

Produktionsland:

USA

Sprache:

Englisch

Farbe:

Schwarzweiss

Seitenverhältnis:

1.37 : 1

Tonverfahren:

Mono

Altersfreigabe:

Sweden:15 | Iceland:L | Argentina:Atp | UK:U | Australia:G

Drehorte:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Firma:

Warner Bros. Pictures

Dies und das:

Film debut of Ruby Keeler.

Pannen:

Abfolgefehler: The opening credits say "COPYRIGHT MCMXXXIII [1933]," but the closing credits say "COPYRIGHT MCMXXXII [1932]".

Dialogzitate:

Ann Lowell: [singing] Matrimony is baloney
Loraine: She'll be wanting alimony in a year or so;
Ann Lowell, Loraine: Still they go and shuffle, shuffle off to Buffalo.
Ann Lowell: When she knows as much as we know, she'll be on her way to Reno,
Loraine: While he still has dough; she'll give him the shuffle
Ann Lowell, Loraine: When they're back from Buffalo.
Ann Lowell: I'll bet that she's the farmer's daughter
Loraine: And he's that well-known traveling man;
Ann Lowell: He once stopped down at the farm house,
Loraine: That's how the whole affair began!
[...]

Bezüge zu anderen Titeln:

Verweis/Anspielung/Erwähnung in Hair-Raising Hare (1946)

Soundtrack:

Young and Healthy

the musical that changed musicals

I seem to recall reading/hearing somewhere that movie musicals were becoming less popular in the 1930s. They were, for the most part, creaky messes with poor sound quality. Then came this movie, which you can credit (or blame, depending on whether you like musicals or not) for popularizing them.

The story has been done before now (2004) and was probably done before in 1933. Prima donna gets injured, the ingenue must take her place. All the clichés come out in full force, but with enough enthusiasm that you may find yourself sucked in, depending on how jaded a viewer you are.

The performances are good. Daniels is stunning, and a good actress, and she can sing. We don't get to see her dance too much though. Powell makes a good juvenile lead and sings well. Keeler gets a bit annoying, but that's probably just the character she is playing. She cannot really sing, and I never thought her dancing was that great. I'm a fan of Ginger Rogers though, so I am biased when I wonder how this movie could have catapulted Keeler and Powell to stardom while Rogers had to wait until she was paired with Astaire for her career to take off. After seeing movies starring the likes of Astaire, Rogers, Eleanor Powell, Ann Miller, Gene Kelly, etc. I find Keeler's dancing to be a bit heavy-footed. Not that it is terrible, she does pull the part off well enough. The Busby Berkeley choreography is fabulous--no one did it like he did it. Just never you mind that if the show were actually on a stage the way it is supposed to be in the movie, you wouldn't actually notice the aerial geometric patterns. Still, it is nice to look at. So leave your sense of reality in the other room, pop this movie in your VCR/DVD player, and enjoy!