Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He ... See full summary »
Hans Adalbert Schlettow,
For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a ... See full summary »
Elizza La Porta,
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Georg Wilhelm Pabst
It may not be perfect technically, but this is a sensual, made with great fun, original, capricious and extravagant operetta. It has elegance, a great cast, brilliant music and songs, wit, great sets; some scenes are even a bit bizarre and fetishistic. This is not a filmed operetta, but a real film-operetta. More than just direct, Erik Charell choreographed the film. Although the film stands on its own feet, the influence of Ernst Lubitsch (pictures) is evident.
Amongst the memorable scenes (and there are many) there is the - in its time - technically challenging sequence with energetic Lilian Harvey singing "Das gibt's nur einmal". Indeed: many operetta films have been made, but none so innovative, brilliant as this one.
This first and only German film of Erik Charell is not only a classic of early German sound film, showing all the capabilities of the UFA, but also a promising start of a film career that was not to be realized: Charell had to leave Nazi-Germany and was unable to continue his career as a film director abroad. It is curious that the film was banned by Goebbels only but in October 1937.
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