In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children who quickly disappear. Trying to follow her, he, oblivious to such, is horrified to find an underground world of workers, apparently who run the machinery which keeps the above ground Utopian world functioning. One of the few people above ground who knows about the world below is Freder's father, Joh Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator or the "heart". Freder wants to help the plight of the workers in the want for a better life. But when Joh learns of what Maria is espousing and that Freder is joining their cause, Joh, with the assistance of an old colleague and now nemesis named ... Written by
For the explosion of the heart machine, Fritz Lang refused to use dummies as stand-ins for the workers thrown about. He insisted that would look phony. So extras were to be hooked to harness belts and thrown through smoke, steam and fire. To lighten the mood before shooting, he insisted that his assistant, Gustav Puttscher, try out the harness, and then had him yanked almost to the top of the soundstage and left him there. During filming, he insisted the extras show pain, even though there were no close-ups. Fortunately for him, they already were in pain. See more »
When Freder first sees the statues of the Seven Deadly Sins, there is almost imperceptible movement by the actors playing some of them, notably 'Eitelkeit'. See more »
The Machine Man:
[disguised as Maria]
Women and men, let no one miss today - ! Death to the machines - !
See more »
Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »
This must be one of the greatest movies of all time. I found myself almost in a state of shock during the whole movie. Everything was perfect. The story was great, the filming was pure genius and the effects directly from another dimension.
I don't think any movie after this one have gotten so much out of the available effects of the time as this one. Nowadays they have super computers generating special effects. Sure they look good, but it's no big deal making them. Back in 1926 computers weren't even invented yet, all effects had to be done by hand or in simple editing. And when you take a look at all the thins that have been done in this movie, it's impossible not to get impressed. Huge buildings, explosions, flooding, picture phones (however did he come up with the very idea?), transformation sequences, robots and so on. No movie has ever pulled the limits of special effects as much as this one. Star Wars and Jurassic Park are also known as limit pullers in special effects, but they don't even come close.
Then you have the filming. Everything is perfect. The use of body language is tremendous, the light setting perfect, everything well timed and perfectly captured by the camera. I've never been witness to such a treat in filming other places.
And the story!!! Perfect in every detail. Intriguing, exciting and thrilling with lots of religious undertones and tyranic leaders. No wonder Hitler liked this movie...
I don't know how the original music of the film was, but the new music for the restored 139 minute version I saw was really good and moodseting.
All in all. This is one of the most perfect movies of all time, and it deserves anything it can get. Never has a 10/10 been as secure as for this movie...
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