At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by
Not a single photograph of Lon Chaney as The Phantom was published in a newspaper or magazine or seen anywhere before the film opened in theaters. Universal Pictures wanted The Phantom's face to be a complete surprise when his mask was ripped off. See more »
The opening credits are accurate to the 1929 re-edited version, listing Mary Fabian as Carlotta and Virginia Pearson as Carlotta's mother, however the ending credits still credit Pearson as Carlotta. This is due to the fact that the "1929" cut is actually made of two negatives: one from a 1929 silent version and one from the original 1925 version. It's most likely that the credit sequence is from the latter. See more »
I have brought you here - five cellars underground - because I love you! For long weary months I have awaited this hour! So that which is good within me, aroused by your purity, might plead for your love.
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In 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In "The Phantom of the Opera", the credits do appear at the beginning and are also repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them." See more »
One of the most eminent horror films ever made and perhaps even the most famous silent horror movie from that time. Lon Chaney starred in over 150 films (most of them silent ones) but he'll always be remembered best for his personification of Erik, the Phantom. And justified! Even though this role was played by many respectable actors afterwards (like Claude Rains, Herbert Lom and Robert Englund) Lon Chaney is and remains the one and only Phantom of the Opera. The film itself is depressing and dark, with terrific photography and settings. Deep down the catacombs of the Parisian Opera building, the phantom reigns in forgotten dungeons and underground lakes. After all these years of dwelling in the opera, he has fallen in love with the unsuccessful singer, Christine. He helps her career a little and threatens to kill the prominent singer Carlotta if she doesn't hand over the her role in Faust to Christine. The until then unknown singer is thankful and meets her `master' in the catacombs. Her appreciation soon turns into fear when she finds out her benefactor is the horribly scarred Phantom of the Opera. The biggest difference between this first version and the later remakes lies in the roots of the Phantom. Here, Erik is said to be an escaped madman whereas he merely only was a hurt romanticist in later versions. His deformed appearance isn't explained and neither is shown how he falls for the beautiful, shy Christine.
At least 3 sequences in the 1925 Phantom of the Opera are legendary and still astonishing after almost 80 years. The masked bal, which the Phantoms attends as the `Red Death' is an outstanding horror sequence and truly atmospheric. The grimaces of Chaney seem to look right through the other partygoers and his search for Christine is relentless. Immediately after this scene, the crew moves to the roof of the Opera building and Chaney takes place on top of the Apollo statue. A breathtaking piece of early cinema that stands the test of time like no other. The climax of Phantom of the Opera is an extended series of chasings and battues, resulting in the dramatic (and gruesome) death of our protagonist. Rupert Julian's classic silent has got everything! An actor capable of carrying the toughest role ever written, beautiful scenery, real-life drama, sentiment and romance. And last but not least an unbearable tension Throughout the entire film, you're looking at it with your eyes wide open.
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