At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by
Ben Carré was called in to design the sets, and although he had worked at the Paris Opera House, he had already been living in California for some time doing sets. See more »
When Raoul and Ledoux are approaching the Phantom's lair. Ledoux makes a drop through a trapdoor about 10 or 12 feet down, clearly out of arms length to the opening above. However, Raoul in the next shot above merely hands down his lantern as if Ledoux is merely a couple of feet away. See more »
Former Opera House Owner:
[to new Opera House Owners]
It is barely possible you may hear of a ghost, a Phantom of the Opera!
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None of the technical staff of this film receives screen credit. See more »
A magnificent performance from the legendary Lon Chaney, Sr.
This 1925 silent classic is still impressive, even after seventy-nine years!
Lon Chaney's performance is easily the highlight of the movie. His ghostly movements about his underground lair are haunting even by today's standards.
Use all of the computer generated images you want, but there is no substitute for authentic, old-world macabre. The scene where Erik's face is revealed is still shocking. He seems as horrorified by Christine seeing his face as she is by seeing his face. He seems to feel genuinely violated by her taking his mask off, revealing his horrible visage to the last person on earth he would want to see it. The Technicolor scene of the "Bal Masque" is also quite famous. The backdrops are very effective in creating the moody, medieval atmosphere of the underground passages. All in all, an excellent version of a timeless story.
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