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Nosferatu (1922)

Nosferatu, eine Symphonie des Grauens (original title)
Unrated | | Fantasy, Horror | 3 June 1929 (USA)
Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife.

Director:

Writers:

(screen play), (based on the novel: "Dracula")
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Cast

Cast overview:
...
...
Hutter (as Gustav v. Wangenheim)
...
Ellen - seine Frau (as Greta Schroeder)
Georg H. Schnell ...
Harding - ein Reeder (as G.H. Schnell)
Ruth Landshoff ...
Ruth - seine Schwester
Gustav Botz ...
Professor Sievers - der Stadtarzt
...
John Gottowt ...
Max Nemetz ...
Wolfgang Heinz ...
Albert Venohr ...
2. Matrose
Eric van Viele ...
Matrose 2
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Storyline

Wisbourg, Germany based estate agent Knock dispatches his associate, Hutter, to Count Orlok's castle in Transylvania as the Count wants to purchase an isolated house in Wisbourg. They plan on selling him the one across the way from Hutter's own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter's trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter does manage to sell the Count the house, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in the daytime when the Count is unusually asleep. Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisbourg, causing death along his way, ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A thrilling mystery masterpiece - a chilling psycho-drama of blood-lust.

Genres:

Fantasy | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

3 June 1929 (USA)  »

Also Known As:

Nosferatu  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

| (VHS) | (DVD edition) | | (1997 restored) | (DVD)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

When Orlok has loaded the crates onto the cart, he climbs into the last one and the lid "levitates" into place. This magic trick is achieved by stop-motion animation, but the cart horses do not hold their position and shatter the illusion (their heads jerk about completely unnaturally while the lid is in motion). See more »

Quotes

Graf Orlok: You have hurt yourself... your precious blood!
See more »

Connections

Featured in WNUF Halloween Special (2013) See more »

Frequently Asked Questions

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User Reviews

One of my two favorites
21 May 1999 | by See all my reviews

Quite possibly my own very favourite movie. No vampire film before or since has been either as disturbing or as artful. Less overtly "expressionistic" than some of the other German films of the day, but no less visually impressive. Look at the seascape where Ellen/Nina/Mina pines over her departed husband. Watch those marvelous shadows, which we see in Bremen more often than the vampire itself, used especially effectively in the closing sequence. And look at Max Schreck himself! While Bram Stoker gave his Count affinity with wolves and bats, Murnau favours that rat, both in that they surround him and that he physically resembles a shaved, cadaverous rat. Spreading his pestilence, Max Schreck is truly the vilest, most loathsome villain in the history of film. The scene where he rises suddenly erect from his coffin aboard ship is one that horror directors everywhere should study very carefully. Nosferatu is also noteworthy as the origin of the idea that vampires are killed by sunlight, previously present neither in literature nor folklore. In response to the poster who complained that the vampire seems to be walking around in light before his death, these scenes are set at night. In the original versions, there was a blue tint over these scenes to let you tell night from day; it's difficult to tell the difference without them. My copy is marred with some hilarious inappropriate sound effects (such as a massive "BOING" when the gates of the castle open on their own accord) which I've learned not to hold against the film itself. Thank God that Florence Stoker did not manage to completely wipe this film of the face of existence.


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