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Dr. Mabuse: The Gambler (1922)

Dr. Mabuse, der Spieler (original title)
Arch-criminal Dr. Mabuse sets out to make a fortune and run Berlin. Detective Wenk sets out to stop him.

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Cast

Complete credited cast:
...
Aud Egede-Nissen ...
Cara Carozza, the dancer
Gertrude Welcker ...
Countess Dusy Told (as Gertrude Welker)
...
Count Told / Richard Fleury - US version
...
Prosecutor von Wenk / Chief Inspector Norbert von Wenck / Chief Inspector De Witt - US version
...
Edgar Hull
Robert Forster-Larrinaga ...
Spoerri
...
Georg, the Chauffeur (as Hans Adalbert von Schlettow)
...
Pesch
Károly Huszár ...
Hawasch (as Karl Huszar)
Grete Berger ...
Fine, a servant
Julius Falkenstein ...
Karsten
Lydia Potechina ...
Die Russin
Julius E. Herrmann ...
Emil Schramm (as Julius Herrmann)
Rest of cast listed alphabetically:
Julietta Brandt ...
(as Julie Brandt)
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Storyline

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him. Written by Snow Leopard

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

30 September 1922 (Hungary)  »

Also Known As:

Dr. Mabuse the Gambler  »

Company Credits

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Technical Specs

Runtime:

(restored) | (part 2) | (part 1) | (part 2) | (part 1) | (video) | (Murnau Foundation restoration)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The car seen in the first few minutes of the film, during the train robbery, is a 1911 Brennabor Landaulet Typ F. Brennabor was the biggest auto manufacturer in Germany for part of the 1920s, to be surpassed eventually by Opel. The company stopped producing automobiles by the early 1930s, and went back to producing baby carriages, bicycles and motorcycles. It was finally dismantled in 1945. See more »

Goofs

Towards the end of part II, one of Mabuse's henchmen is thrown into a cell and tries to climb the walls to get at the barred window. The left wall flexes several inches as he puts his foot to it. See more »

Quotes

Cara Carozza, the dancer: The prosecutor is finally at the end of his rope. And now he hopes to get help from me. From me, a woman who's just as wretched and forsaken as a stray dog.
See more »

Connections

Followed by The Return of Dr. Mabuse (1961) See more »

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User Reviews

 
Dr. Mabuse is one of cinema's first super-villains and one the best also!
27 December 2006 | by (Worcester, MA) – See all my reviews

Dr. Mabuse is one of cinema's first super-villains and one the best also! In addition to being a massive influence on screen villains ever since (just about every comic book bad guy can be traced back to this), its still an entertaining film despite its mammoth length. This film has been split into two parts, so its probably best to watch it in two different sittings. Its still easy to become absorbed with the break in between, and I can imagine that watching this film for four hours may eventually become a bit tedious. A film has to be really good to hold my interest for more than three hours. This isn't a masterpiece on the level of "Metropolis" or "M", but it is still a recommended viewing for silent film buffs and film fanatics in general.

The lead performance by Rudolf Klein-Rogge is memorable, making Mabuse a despicable individual yet still sympathetic in some ways. This is probably because hes easily the most interesting character in the whole film. Some have criticized having him fall in love, but I think it adds a layer of depth to the character. In some ways, he could be considered cinema's first anti-hero.

The first half ("The Gambler") is over the top with wonderful looks at German economy before Hitler came into power. The second half "King of Crime" isn't as flamboyant, but probably better because it has a plot. Plus, the sets in both are fantastic expressionism, and part two has a neat surreal nightmare sequence. Even though it can become silly at times and the situations and performances melodramatic, this is one of the most well-paced silents I've seen. Its better to see "Metropolis" first, but if you enjoyed that, check out "Dr. Mabuse". (8/10)


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