Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, ...
See full summary »
The Buddhist priest wants the Daughter of the Daimyo to become a priestess at the Forbidden Garden. The Daimyo thinks if he were in Europe that his daughter should decide on her own, but he... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
During the 1960s Germany, criminal mastermind Dr. Mabuse is using hypnotized victims and the surveillance equipment of a Nazi-era bugged hotel to steal nuclear technology from a visiting American industrialist.
Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, doesn't know of its existence.... Written by
Stephan Eichenberg <firstname.lastname@example.org>
This "Spiders" sequel, "The Diamond Ship", is just as ridiculous and sensational as the series's first part. The rich adventurer continues in his pursuit of the criminal gang, the Spiders, who are after a diamond that's linked with Asian independence, leading the protagonist into a world of espionage, kidnapping and to a subterranean Chinatown.
Fritz Lang continues to copy other filmmakers, including Louis Feuillade. An early scene in this film is, I think, evident of Fritz Lang's poor direction at this early point in his career: the overhead shot of a bank robbery, with no ceiling, was done better by Maurice Tourneur in "Alias Jimmy Valentine" (1915). With Tourneur, it was an innovative, well-photographed scene, but with Lang, it's derivative and poorly done. It's the same with the rest of this two-part series; there's some technical skill, but it's all inferior duplication of other films and serials. Lang would become a great director, but that didn't begin here. And, German silent cinema would be one of the greatest periods in film history, but "The Cabinet of Dr. Caligari" (1920) is still the beginning of that. "The Spiders" is merely what everyone else had already been doing... often better.
4 of 6 people found this review helpful.
Was this review helpful to you?