The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, ... See full summary »
Nigel De Brulier
In the 1840s, the foppish Don Diego de la Vega returns from Spain to his family in California to find that his father has been replaced as ruler of the region by the cruel Don Luis Quintero... See full summary »
King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for ... See full summary »
Marguerite De La Motte,
In old Spanish California, the oppressive colonial government is opposed by Zorro, masked champion of the people, who appears out of nowhere with flashing sword and an athletic sense of humor, scarring the faces of evildoers with his Mark. Meanwhile, beautiful Lolita is courted by villainous Captain Ramon, rich but effete Don Diego... and dashing Zorro, who is never seen at the same time as Don Diego. As Zorro continues to evade pursuit, Ramon puts the damsel in distress... Written by
Rod Crawford <email@example.com>
Douglas Fairbanks was looking to try something new from his normal boy-meets-girl romance movies he had been making for the past few years. This is when the actor came across the story of Zorro - originally published in the magazine, "All-Story Weekly". Previous to Fairbank's portrayal, practically nobody had ever heard of the adventure story Robin Hood like hero Zorro. See more »
When Fray Felipe is receiving his lashes, there are horizontal lacerations along the left side of his back. The camera angle then widens to reveal two vertical lacerations - one in the center of his back and one to the right - while the laceration on the left side of the back is gone. See more »
No force that tyranny could bring would dare oppose us - once united. Our country's out of joint. It is for us caballeros, and us alone, to set it right!
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This film is apparently Douglas Fairbanks' first swashbuckler and for a first, it is very good--though I still think his later film, THE BLACK PIRATE, is easily the better of the two films. And, because it is a first for Fairbanks AND one of the earliest swashbucklers period, I cut it a little more slack and don't score this film quite as stringently as later ones in the genre.
Douglas plays the somewhat wimpy and effeminate son of a well-respected member of the California gentry during the final days of Spanish rule. I say "somewhat" because in later Zorro films, these aspects are much more apparent--making his persona seem gay and a coward--much like the Scarlet Pimpernel character (who poses as a fop yet fights for justice). As Don Diego Vega, Fairbanks did a decent job. As Zorro, he was wonderful and athletic--and very magnetic.
The direction, writing and acting was just fine. The only problem I found with the film is that the final resolution seemed to happen a little too quickly and easily. I wish it had been drawn out longer and the sword fighting sequences had been a little longer and more complex. Regardless, it STILL is an amazing and watchable film--even in the sound and special effects saturated world of today.
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