Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.
Il padre di Harry viene ucciso in un duello alla pistola e la madre gli fa giurare che non userà mai armi e farà affidamento soltanto sui pugni. Ma quando il fratellino è marchiato a fuoco ... See full summary »
During the silent period, John Ford mastered the art of recreating the old world (1861-1877) in his Westerns in order to define the nation. He allows you to share the perspective of the protagonist, enabling you to just walk into the story like a Gainsborough painting. He collaborates with his audience, beckoning them through his character nuances and gestures. It's a kind of cinematic flirting, sweeping the audience into the plot. He also has a relationship with the camera, tracking and panning scenes like a paintbrush in a picture. He is definitely likened to 1950s Alfred Hitchcock, and learned the art of storytelling during this period.
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